Big Youth – Natty Universal Dread 1973 1979

Sammy Rimington - At Moose Lodge Hall (1989) {Big Easy Records BIG CD-001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 276 Mb | MP3 @320 -> 118 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1989 Big Easy Records | BIG CD-001
Jazz / New Orleans Revival Jazz / Clarinet / Alto Saxophone

British reedman Sammy Rimington was one of the top trad musicians to emerge during the 1960s. He played with Barry Martyn in 1959, spent several years with Ken Colyer (1960-1965), and came to the U.S. in the mid-'60s, playing with Big Bill Bissonnette's Easy Rider Jazz Band. Since that time, Rimington has been heard in a countless number of settings and, other than a brief fling with a fusion band he led (Armanda in 1971), he has stuck exclusively to New Orleans revival jazz.

Homesick James was an American blues musician known for his mastery of the slide guitar. He worked with his cousin, Elmore James, and with Sonny Boy Williamson II. The year of his birth is uncertain. He stated that he was born in 1905, 1910, or 1914, while his union records give 1924. His actual birth name has given as James Williamson or John Henderson. He developed a self-taught style of slide guitar through playing at local dances in his teens. He may have first recorded for RCA Victor in 1937, but this is also unconfirmed, and by 1938 may have begun playing electric guitar. His first known recordings were in 1952 for Chance Records, recording the tracks "Lonesome Ole Train" and "Homesick", which gave him his stage name.

Riff Raff (1973). British progressive rock band's folk and jazz oriented debut album little bit similar to Igginbottom's Wrench. Featuring Tommy Eyre on keyboard who has been actively involved with numerous bands including The Aynsley Dunbar Retaliation, Juicy Lucy and The Sensational Alex Harvey Band.
Original Man (1974). The second album released by Britain's Riff Raff was a further study in the textures of jazz-rock as they had been articulated not only on the band's issued debut, but also with Tommy Eyre and Pete Kirkley's stint with Mark-Almond. Here are seven rather extended forays into keyboard-drenched rock that carried a jazz sensibility in its beak and dropped it thoroughly onto blues-based progressive rock.

Red Rose Speedway is the twelfth release in the Paul McCartney Archive Collection, personally supervised by Paul McCartney. Released in April 1973 and featuring the #1 single My Love, Red Rose Speedway was the first Wings album to hit #1 on the U.S. chart. The 2CD digipack features the original album remastered at Abbey Road Studios on CD1 and bonus audio of singles, B-sides and previously unreleased tracks on CD2.

Recorded in 1973, this album signified a leap in the popularity of Paco de Lucía. With this recording, a new cycle of his career began. The Algeciran found himself at a level of technical and stylistic perfection never previously reached by any Flamenco artist. As much in creative as interpretative terms the level of maturity of the young guitarist brought to fruition an astonishing array of means of expression. Paco de Lucía achieved international as well as national recognition with the release of this album, owing greatly to the popularity of the rumba ‘Entre Dos Aguas’, which was only added at the last minute because only seven tracks had been recorded for the album up to that point.