The first popular jazz singer to move audiences with the intense, personal feeling of classic blues, Billie Holiday changed the art of American pop vocals forever. More than a half-century after her death, it's difficult to believe that prior to her emergence, jazz and pop singers were tied to the Tin Pan Alley tradition and rarely personalized their songs; only blues singers like Bessie Smith and Ma Rainey actually gave the impression they had lived through what they were singing. Billie Holiday's highly stylized reading of this blues tradition revolutionized traditional pop, ripping the decades-long tradition of song plugging in two by refusing to compromise her artistry for either the song or the band…
Part of Verve's Diva Series of compilations, this Billie Holiday collection is by no means the definitive account of her career – Columbia's Lady Day: The Best of Billie Holiday takes that honor. That said, it is still a great introduction to the vocalist's singular and influential style. There is a timely flow to the track listing on most of the Diva Series albums, and this collection is no exception.
"Lady in Satin", Billie Holiday's penultimate studio album, is both revered and reviled by her fans. Recorded in February 1958, a mere 17 months before her death at the age of 44, it was said to be her personal favorite. These historical recordings show that her voice was ravaged by hard times, alcohol and drugs. Yet, heartache always informed her art, and she delivers here with unequated poignancy twelve songs that she'd never recorded before. We celebrate Billie's Holiday 100th birthday with this new and ultimate edition of "Lady In Satin", In addition to all of the original album tracks, all newly remixed and mastered in 24-Bit, the first CD is enhanced by the presence of three bonus tracks, including for the very first time a true stereophonic version of "The End Of A Love Affair"
The first popular jazz singer to move audiences with the intense, personal feeling of classic blues, Billie Holiday changed the art of American pop vocals forever. More than a half-century after her death, it's difficult to believe that prior to her emergence, jazz and pop singers were tied to the Tin Pan Alley tradition and rarely personalized their songs; only blues singers like Bessie Smith and Ma Rainey actually gave the impression they had lived through what they were singing.