Binary Options Unmasked: The Good, The Bad, And The Downright Dangerous! Anna Coulling

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Fast Food ultimately looks at food as a business, an examination of the industry's options and those of consumers, and a serious inquiry into what society can do to ameliorate the problems this cheap and tasty product has created.

The single most influential culinary trend of our time is fast food. It has spawned an industry that has changed eating, the most fundamental of human activities. From the first flipping of burgers in tiny shacks in the western United States to the forging of neon signs that spell out "Pizza Hut" in Cyrillic or Arabic scripts, the fast food industry has exploded into dominance, becoming one of the leading examples of global corporate success. And with this success it has become one of the largest targets of political criticism, blamed for widespread obesity, cultural erasure, oppressive labor practices, and environmental destruction on massive scales.

Four classic Leone movies given the deluxe treatment and FINALLY released in the U.S. on DVD

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco comes across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery…..

This first feature by the legendary Hideo Gosha is among the most beloved chanbara (sword-fighting) films. An origin-story offshoot of a Japanese television phenomenon of the same name, Three Outlaw Samurai is a classic in its own right. A wandering, seen-it-all ronin (Tetsuro Tamba) becomes entangled in the dangerous business of two other samurai (Isamu Nagato and Mikijiro Hira), hired to execute a band of peasants who have kidnapped the daughter of a corrupt magistrate. With remarkable storytelling economy and thrilling action scenes, this is an expertly mounted tale of revenge and loyalty.

It's not too often that movies get made into comics after the movie has been out there for a few years. Here is what MTV had to say about this official movie-to-comic adaptation: "Clint Eastwood’s iconic rides again in this brand new story by writer Chuck Dixon and artist Esteve Polls. I don’t care what you say about Dirty Harry, folks— and the rest of the “Man With No Name” films were Eastwood at his cigar-chompin’, squinty-eyed best. Well, you'll say right away it would be hard scripting a main character who hardly speaks. Issue #4 continues the art (Polls' gritty style), and the slow, deliberate development as with the previous three issues that makes you feel as if the story was lifted right from the movies and it definitely reads with a cinematic style (note the wide panel layouts) and pace clearly reminiscent of Sergio Leone. You can almost hear that haunting, taunting theme. Still great stuff.