Binary Options Unmasked: The Good, The Bad, And The Downright Dangerous! Anna Coulling

New compilation by genious composer Ennio Morricone released 24-11-2017 by Bacci Bros Records.

New compilation by genious composer Ennio Morricone released 24-11-2017 by Bacci Bros Records.

In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents – he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968).

It's not too often that movies get made into comics after the movie has been out there for a few years. Here is what MTV had to say about this official movie-to-comic adaptation: "Clint Eastwood’s iconic Man with No Name rides again in this brand new story by writer Chuck Dixon and artist Esteve Polls. I don’t care what you say about Dirty Harry, folks—The Good, the Bad and the Ugly and the rest of the “Man With No Name” films were Eastwood at his cigar-chompin’, squinty-eyed best. Well, you'll say right away it would be hard scripting a main character who hardly speaks. Polls' gritty style and the slow, deliberate development makes you feel as if the story was lifted right from the movies and it definitely reads with a cinematic style (note the wide panel layouts) and pace clearly reminiscent of Sergio Leone. You can almost hear that haunting, taunting theme. Still great stuff.

It's not too often that movies get made into comics after the movie has been out there for a few years. Here is what MTV had to say about this official movie-to-comic adaptation: "Clint Eastwood’s iconic Man with No Name rides again in this brand new story by writer Chuck Dixon and artist Esteve Polls. I don’t care what you say about Dirty Harry, folks— and the rest of the “Man With No Name” films were Eastwood at his cigar-chompin’, squinty-eyed best. Well, you'll say right away it would be hard scripting a main character who hardly speaks. Issue #4 continues the art (Polls' gritty style), and the slow, deliberate development as with the previous three issues that makes you feel as if the story was lifted right from the movies and it definitely reads with a cinematic style (note the wide panel layouts) and pace clearly reminiscent of Sergio Leone. You can almost hear that haunting, taunting theme. Still great stuff.

It's not to often that movies get made into comics after the movie has been out there for a few years. Here is what MTV had to say about this official movie-to-comic adaptation: "Clint Eastwood’s iconic Man with No Name rides again in this brand new story by writer Chuck Dixon and artist Esteve Polls. I don’t care what you say about Dirty Harry, folks— and the rest of the “Man With No Name” films were Eastwood at his cigar-chompin’, squinty-eyed best. Well, you'll say right away it would be hard scripting a main character who hardly speaks. Issue #3 continues the art, and the slow, deliberate development as with the previous two issues that makes you feel as if the story was lifted right from the movies and it definitely reads with a cinematic style and pace clearly reminiscent of Sergio Leone. You can almost hear that haunting, taunting theme. Still great stuff.

It's not to often that movies get made into comics after the movie has been out there for a few years. Here is what MTV had to say about this official movie-to-comic adaptation: "Clint Eastwood’s iconic Man with No Name rides again in this brand new story by writer Chuck Dixon and artist Esteve Polls. I don’t care what you say about Dirty Harry, folks— and the rest of the “Man With No Name” films were Eastwood at his cigar-chompin’, squinty-eyed best. Well, you'll say right away it would be hard scripting a main character who hardly speaks. But in issue #2 the art, and the slow, deliberate development by writer Chuck Dixon (of G.I. Joe fame) makes you feel as if the story was lifted right from the movies and. It definitely reads with a cinematic style and pace clearly reminiscent of Sergio Leone. You can almost hear that haunting, taunting theme. Great stuff.

In It's Only a Movie, the incomparable Mark Kermode took us into the weird world of a film critic's life lived in widescreen. Now, The Good, The Bad and the Multiplex takes us into the belly of the beast to ask: 'What's wrong with the modern movie business - and how can we make it right?'…