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The triumphant release of Mission in autumn 2012 drew rave reviews and was followed up in September 2013 with Steffani’s Stabat Mater, alongside his greatest sacred works for chorus, orchestra and soloists, and a further disc of dances and overtures with the celebrated I Barrochisti conducted by Diego Fasolis. On the Stabat Mater, Bartoli leads an array of internationally celebrated singers including countertenor Franco Fagioli, the bass Salvo Vitale and the two young German tenors Daniel Behle and Julian Prégardien. The final album of the collection is Danze & Ouvertures’, contains 43 great tracks of enchanting early-baroque music.

This collection documents the late Prince Far I's (aka Michael Williams) final period with the Trojan label. These are frequently referred to as his best years, despite the fact that Psalms for I and Under Heavy Manners are graded as his finest albums. But it comes down to track-for-track, the dub 12" singles, and the sound system tracks that he cut with one of the greatest bands in the history of reggae, the Arabs – mainly made up of the Roots Radics band with cats like Flabba Holt, Style Scott, Chinna Smith, and Bingy Bunny. Prince Far I's Cry Tough Dub Encounter albums are well known for their visionary quality and stridently spaced out effects. Far I was his own producer from 1977 on, and he did a better job than anybody who had worked with him previously, whether it be Adrian Sherwood, Joe Gibbs, or Bunny Lee. With the exception of the first cut on this two-disc set, "Heavy Manners" produced by Joe Gibbs, the Prince was at the helm for everything else here. Of the 40 selections, four complete albums are represented, and a few singles.

This series concentrates on Concertos which survive in manuscript in the Dresden Saxony Landesbibliothek, and which were used by the Court Orchestra. They do not derive from the composer’s residence in the city, and the sleeve note suggests that their existence may be connected with Vivaldi’s association with an influential group of Dresden musicians, most notably the violinist, Johanne Pisendel who visited and studied under the composer during the latter part of 1716, and to whom Vivaldi dedicated a number of his Concertos. The quality of these works is often remarkably high, reflecting the caliber of the orchestra and indeed Pisendel’s virtuosity and musicianship. They sound extremely well in these excellent modern-instrument performances.

I Solisti Italiani is a chamber string orchestra consisting of about 12 players, known particularly for their spirited readings of works from the Baroque and Classical periods. They have performed and recorded much Vivaldi over the years and have devoted nearly as much effort to the works of Handel, Mozart, Mendelssohn, and Rossini…

Virgin Classics invites you to enjoy the world premiere recording of Viviadi's Il Farnace in a version that Vivaldi prepared specially for the city of Ferrara in 1737-38 after its success in Venice. This is not only the first time the Ferrara version of Farnace has been recorded, but also the first time it has been heard, as the planned performances of 1738 were cancelled due to the local failure of the Vivaldi opera that preceded it, Siroe.

This album of works by Bartolomeo Bernardi by the I Solisti Ambrosiani Ensemble provides us with recordings of unreleased material from this little-known Italian composer and violinist.

Spacemen 3’s 1987 album The Perfect Prescription is considered the band’s transition point from psychedelic re-creationists to an original act. But it’s also seen as the moment when founding members Pete Kember and Jason Pierce began to branch off in their own directions—the beginnings of Pierce’s band Spiritualized can be heard in “Walking with Jesus.” Released 16 years later, Forged Prescriptions gathers outtakes, alternative mixes, demos, and rarities from the 1987 recording sessions. “Things Will Never Be the Same” opens with Kember’s vocals sounding more angsty and prominent in the mix. Fans of The Brian Jonestown Massacre can identify the seeds of Anton Newcomb’s inspiration in this song.