Black Art Jazz Collective

For its 10th anniversary release, the Black Art Jazz Collective (BAJC), hailed by DownBeat Magazine as "a powerhouse of contemporary jazz talent," offers ten exciting and unique works that speak to both artistic freedom and musical sensibility relative to the tenor of our times. The band features an all-star line-up, including founding members Wayne Escoffery, Jeremy Pelt, James Burton III, Xavier Davis and Johnathan Blake who are joined by current members Victor Gould, Rashaan Carter and Mark Whitfield Jr. Wayne Escoffery tells us, "I formed Black Art Jazz Collective as an ensemble of African American musicians, celebrating Black culture and the origins of the music through original compositions with unapologetic pride."

The Black Art Jazz Collective was founded in 2012 by Wayne Escoffery and Jeremy Pelt with the aim of honoring and preserving the art of some of the progenitors of jazz who inspired them, hired them and mentored them first hand. And while the band does pay homage to the greats of the past they also continue the evolving tradition of jazz with a body of work that remains firmly entrenched in the modernism of today. From the angular melody of Escoffery's "Involuntary Servitude," to the ingratiating groove of Pelt's "For the Kids," the ensemble extends the range and potential established by their illustrious predecessors with innovative original compositions, solos that run the gamut from thoughtful to virtuosic and a shared sense of purpose that is unique on today's jazz landscape.

The Black Art Jazz Collective's mission statement celebrates African-American cultural and political icons. At the core is a modernism that conjures up the classic bands of Art Blakey and acoustic Miles Davis. But with the contemporary soul-fueled solos and locked-in rhythm the band is more likely to launch into a counterpoint riff or the spacious funk of hip-hop than the svelte lines of a classic walking bass. The Black Art Jazz Collective delivers strong original tunes and purposeful, form-hugging improvisation that keeps things looking forward rather than back. And with trumpeter Jeremy Pelt on ebullient form, and saxophonist Wayne Escoffery's muscularity contrasting with the tenderness of James Burton III's trombone, the focus never becomes diffuse or wavers.