Blackberry Smoke Homecoming: Live in Atlanta - Blackberry Smoke electrifies the audience at one of Atlanta's most iconic venues, The Tabernacle. Filmed and recorded live on Nov 23rd, 2018, a concert and crowd like no other. Touring most of the year world-wide, Blackberry Smoke has made it a tradition to come back once a year, to their hometown of Atlanta, GA…
This smoky-voiced singer/songwriter, whose sophisticated jazz-pop songs and dramatic vocal delivery place him somewhere between Bryan Ferry and Morrissey, hits his peak with the driving "Everything's Coming up Roses" (not the Jule Styne song).
Featuring both taut, keenly focused ensemble playing and raucous, spirited soloing, THE INTANGIBLE BETWEEN reflects the ever-growing chemistry Orrin Evans and the core ensemble of the Captain Black Big Band while celebrating bandleader's’ open-door policy toward collaborators new and old. The rotating cast of players, while maintaining the more compact scale introduced on the band’s last album, the Grammy-nominated PRESENCE, also features first-time members alongside veterans that joined the ranks in its earliest days and special guests whose collaborations with Evans stretch back over many years.
British extreme metallers CRADLE OF FILTH will release their 13th studio album, "Existence Is Futile", on October 22. Pieced together in isolation, at Grindstone Studios in Suffolk with studio guru Scott Atkins (DEVILMENT, BENEDICTION, VADER), the band's latest chef-d'oeuvre is a pitch-black, perverse and at times absurdly brutal and extreme masterpiece following a truly nihilistic concept: "The album is about existentialism, existential dread and fear of the unknown," frontman Dani Filth explains. "The concept wasn't created by the pandemic. We'd written it long before that began, but the pandemic is the tip of the cotton-bud as far as the way the world is headed, you know? I guess the title, 'Existence Is Futile', does sound a little morbid. But again, it's more about recognizing that truth and saying that everything is permitted because nothing really matters, which mimics the occultist Aleister Crowley's maxim. We all know we're going to die, so we might as well indulge life while we possess it. The final track on the album — 'Us, Dark, Invincible' — really drives that point home. Also, the artwork for this record was created by the Latvian visionary Arthur Berzinsh, who also dressed the last two albums, and that reeks of the exceedingly beautiful yet apocalyptic too."