Black Work

Damon Locks & Black Monument Ensemble’s new album "NOW" was created in the final throes of Summer 2020, following months of pandemic-induced fear & isolation, the explosion of social unrest, struggle & violence in the streets, and as the certain presence of a new reality had fully settled in.

Chicago's Black Diamond debuts on We Jazz Records with their new album Furniture Of the Mind Rearranging on 5th July. Co-led by Artie Black and Hunter Diamond (composers, saxophones, and other woodwinds), Black Diamond appears in both quartet and duo formations. The first three album sides present the quartet, complete with long standing band members Matt Ulery (double bass) and Neil Hemphill (drums), under the heading Furniture Of the Mind. The remaining two tracks on side D fall under the title The Mind Rearranging, with Black and Diamond presenting a meditative duo encounter of two tenor saxophones.

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In 2014, something unusual happened. On the strength of their breakthrough album Too Many Roads, Denmark's Thorbjørn Risager & The Black Tornado went global. Now it's one thing for an artist from Copenhagen to enjoy success at home and in a few adjacent countries. But the release of Too Many Roads saw the seven-piece combo fronted by singer and guitarist Risager gaining widespread notoriety in the U.S. and being invited to play in locales as far away as Mumbai, India. The album took home the Danish Music Award as the Top Blues Album of 2014 and also earned Germany's illustrious "Preis der deutschen Schallplattenkritik," but perhaps even more impressively, it was selected as one the year's best by Britain's influential The Blues magazine, right alongside international stars like Robert Cray, Walter Trout and Joe Bonamassa. Clearly, Risager and his mates had taken their exhilarating mix of blues, soul and rock 'n' roll to the next level. Early in 2015, Thorbjørn Risager & The Black Tornado celebrated that triumph by returning to one of their favorite nightspots - the Harmonie in Bonn, Germany. They would treat local fans to a one-of-a-kind spectacle, hitting the stage as a ten-piece mini-orchestra.

Chicago's Black Diamond debuts on We Jazz Records with their new album Furniture Of the Mind Rearranging on 5th July. Co-led by Artie Black and Hunter Diamond (composers, saxophones, and other woodwinds), Black Diamond appears in both quartet and duo formations. The first three album sides present the quartet, complete with long standing band members Matt Ulery (double bass) and Neil Hemphill (drums), under the heading Furniture Of the Mind. The remaining two tracks on side D fall under the title The Mind Rearranging, with Black and Diamond presenting a meditative duo encounter of two tenor saxophones.

Chicago's Black Diamond debuts on We Jazz Records with their new album Furniture Of the Mind Rearranging on 5th July. Co-led by Artie Black and Hunter Diamond (composers, saxophones, and other woodwinds), Black Diamond appears in both quartet and duo formations. The first three album sides present the quartet, complete with long standing band members Matt Ulery (double bass) and Neil Hemphill (drums), under the heading Furniture Of the Mind. The remaining two tracks on side D fall under the title The Mind Rearranging, with Black and Diamond presenting a meditative duo encounter of two tenor saxophones.

It's been 17 years since Ladysmith Black Mambazo's gorgeous vocal harmonies poured the foundation for Paul Simon's landmark 1986 album Graceland, an album that catapulted the South African a cappella gospel group into the international consciousness and led to worldwide stardom, a Grammy, film soundtracks, and candy commercials. Fans of the group's intricately arranged vocal landscapes will be pleased to know that all that ensuing attention hasn't diluted the group's appeal. Raise Your Spirit Higher, is as strong as anything the group has recorded in its now 30-year career. Ladysmith has always defined itself by merging Christian gospel music with a native South African musical tradition called isicathamiya, which was developed by mine workers who sang to entertain themselves after their grueling work.