Too some, Al di Meola is best known for is shredding guitar work as part of Return to Forever, and also his early solo albums. But di Meola has always had an interest in flamenco styled acoustic playing ("Mediterranean Sundance" off of Elegant Gypsy, anyone?) – which is the six-string style that he fully embraces on his 2007 release, Diabolic Inventions and Seduction for Solo Guitar, Vol. 1: Music of Astor Piazzolla. Like its title says, the album is comprised solely of renditions of tunes by Argentine tango composer Astor Piazzolla, who is best known for trailblazing the nuevo tango style (which contained traces of both jazz and classical). And di Meola has no problem offering up a fine tribute, especially on such tracks as "Campero" and "Romantico."
Howard Shelley’s light touch, fresh and colourful orchestral playing, and excellent recording, make this very well worth hearing on its own account, not simply as a rediscovered rarity.
The style of this album follows the way of the previous Lake of Tears albums since "Headstones". Maybe the main difference in "Moons and Mushrooms", apart of its odd title, is that this album is has less 70's influences, and it's more focused in authentic gothic rock, in the style of other nordic bands like The Wounded and Sentenced. This is a pity, because the thing that make this band so special, is their mix between 70's psychedelic inflences, 80's souding keyboards, and modern gothic rock. And that it's a bit diminished in "Moons and Mushroom".
Mari Kimura (木村 まり Kimura Mari) is a Japanese violinist and composer best known for her use of subharmonics, which, achieved through special bowing techniques, allow pitches below the instrument's normal range. She is credited with "introducing" the use of violin subharmonics, which allow a violinist to play a full octave below the low G on the violin without adjusting the tuning of the instrument. Polytopia: Music For Violin and Electronics is her first CD for the Bridge label, and her first created without collaborators.