Bloodhound Gang Hefty Fine

Bloodhound Gang was an American rock band which began as a hip hop group before branching out into other genres, including punk rock, alternative hip hop, rapcore, funk metal, and electronic rock, as their career progressed. Their songs typically have humorous and off-beat, satirical lyrics that often deal with sexual subjects and contain many puns and innuendos. They are best known for their singles "Fire Water Burn", "The Bad Touch", "Foxtrot Uniform Charlie Kilo", "Uhn Tiss Uhn Tiss Uhn Tiss", "The Ballad of Chasey Lain" and a hard rock version of the 1960s pop hit "Along Comes Mary". Formed in 1988, the Bloodhound Gang has sold more than 6 million albums. Use Your Fingers is the debut studio album by Bloodhound Gang. It was released on July 18, 1995, by Cheese Factory Records.

This is an amazing double CD tribute compilation - to commemorate 40 years in the business, Kool & The Gang has teamed up and remade many of their top hits top to bottom featuring many of todays most up & coming vocalists and artists. I am quite surprised that this project has not made more of a splash in the states, yet…

Manchester jazz-funkers Secret Night Gang bring their bold self-titled debut album to Brownswood Recordings. Led by the soulful vocals of Kemani Anderson and featuring saxophonist Callum Connell’s pin-sharp orchestrations, Secret Night Gang is a joyful slice of summer-soul goodness that nods to the vibrant history of jazz-inflected soul, while reflecting today’s genre blending sensibilities in a heady mix of gospel, R&B, souljazz and more.

Entertainment! is one of those records where germs of influence can be traced through many genres and countless bands, both favorably and unfavorably. From groups whose awareness of genealogy spreads wide enough to openly acknowledge Gang of Four's influence (Fugazi, Rage Against the Machine), to those not in touch with their ancestry enough to realize it (rap-metal, some indie rock) – all have appropriated elements of their forefathers' trailblazing contribution. Its vaguely funky rhythmic twitch, its pungent, pointillistic guitar stoccados, and its spoken/shouted vocals have all been picked up by many.

With their second album Rides Again, the James Gang came into their own. Under the direction of guitarist Joe Walsh, the group – now featuring bassist Dale Peters – began incorporating keyboards into their hard rock, which helped open up their musical horizons. For much of the first side of Rides Again, the group tear through a bunch of boogie numbers, most notably the heavy groove of "Funk #49." On the second side, the James Gang departs from their trademark sound, adding keyboard flourishes and elements of country-rock to their hard rock. Walsh's songwriting had improved, giving the band solid support for their stylistic experiments. What ties the two sides of the record together is the strength of the band's musicianship, which burns brightly and powerfully on the hardest rockers, as well as on the sensitive ballads.