"…Stockfish are only just moving into the Classical sphere with their audiophile discs, and they have taken enormous care with this recording. They used the world's only fully isolated concert and recording suite at the Galaxy Studios at Mol in Belgium. The complex is suspended on gigantic steel springs which damp ground-borne frequencies down to 3 Hz, and extraneous external noise is attenuated by more than 100dB. (…) As a result of all this, the stereo SACD track is simply breathtaking in its fidelity; the players are simply present just behind the speakers, with tiny seat movements, breathing and some finger-squeaks on the strings. In MC the perspective becomes three-dimensional, and the rich hall acoustic signature adds an extra layer of sonority to the gambas. The bellies of these instruments can be heard resonating for many seconds after the music stops. An exceptional demonstration-quality recording and performance. Buy it and step into another age, courtesy of today's high technology."
"…Within a great session at an scottish artist location sang Christian Willisohn very impulsive and played a very concisely piano. Expressive join in sax, guitar, bass and drums into a very dynamic and balanced sound characteristics…" ~sa-cd.net
"…Within a great session at an scottish artist location sang Christian Willisohn very impulsive and played a very concisely piano. Expressive join in sax, guitar, bass and drums into a very dynamic and balanced sound characteristics…" ~sa-cd.net
"…Within a great session at an scottish artist location sang Christian Willisohn very impulsive and played a very concisely piano. Expressive join in sax, guitar, bass and drums into a very dynamic and balanced sound characteristics…" ~sa-cd.net
"…Within a great session at an scottish artist location sang Christian Willisohn very impulsive and played a very concisely piano. Expressive join in sax, guitar, bass and drums into a very dynamic and balanced sound characteristics…" ~sa-cd.net
BIS engineers have produced a very naturalistic recording of piano and singer in the former Academy of Music hall in Stockholm. However, the large hall is very obviously empty, from its notable resonance, tending to reduce the perceived image of the players somewhat. These songs were meant for drawing rooms and salons, not large reverberant auditoriums, and personally, I felt that the essential intimacy of a lieder recital was somewhat lacking, and the 5.0 multichannel version rather emphasised this. The resonance does contribute to blurring the singer's diction and also tends to cloud some of the rapid piano figuration. These are minor points, and can be partly overcome by raising the playing volume level.
Gunther Pauler’s early Stockfisch SACDs were incredibly well-recorded stereo-only discs, and after some experimentation with a few surround releases, it appears with their latest batch of releases that Stockfisch has returned to that winning stereo-only approach. (…) Gunther Pauler is a remarkably good recording engineer, and he’s given us another gem with this new disc. (…) I’d waste no time getting this excellent album, it’s very highly recommended! Five stars!
"Ewen Carruthers „One red shoe“ erscheint zunächst als ein weiteres, sehr exzellent aufgenommenes, sehr entspanntes, überaus ruhiges, aber vielleicht geradezu harmloses Album. Denn seinen wahren Inhalt offenbart es nur all jenen, die genauer hinhören, und sich nicht von der mitunter sehr sanftmütigen, warmen Stimme des Künstlers dazu verleiten lassen, dieses Album einfach nur oberflächlich und beiläufig wahrzunehmen. Der Kontrast aus zumeist sanft vorgetragenen Folk-Klängen und sehr tiefgründigen, reflektierten Gleichnissen in den Texten ist es, der dieses Album so spannend und hörenswert macht. Denn die ausgefeilten, zumeist als Gleichnisse verfassten Texte drücken viel aus und lassen dem Zuhörer Platz für eigene Assoziationen." ~sempre-audio
…The disc’s exceptional, state-of-the-art recording draws you in right close, with Allan’s very special and intimate delivery cocooned by the immaculately judged and empathic contributions of a handful of other musicians (guitar, dobro, accordion, banjo, bowed psaltery, fretless bass). I feel sure that Leaving At Dawn will come to be judged as one of Allan’s finest ever collections.
"… enorm charismatische Sängerin und Gitarristin… die gefühlvoll-unprätentiöses Songwriting mit bluesigen Untertönen kombiniert." (Audio Magazin)