Blue Floyd, an all-star jam band performing variations on the material of Pink Floyd, are a spin off from Gov’t Mule, featuring Allen Woody and Matt Abts from Gov’t Mule, Berry Oakley (son of Raymond Berry Oakley from The Allman Brothers) on bass, Mark Ford (The Black Crows) on lead guitarist, and Johnny Neil (Dickey Betts Band And The Allman Brothers) on keyboards. This 3 disc set was recorded on the bands 2000 tour in Alexandria, Vancouver. Gov’t Mule have recently toured Europe, promoting their new releases including Dark Side Of The Mule, following on from Blue Floyds reinterpretation of the Pink Floyd catalogue.
Three CD live archive set recorded during the band's 2000 tour. Blue Floyd are a jam band spin off from Gov't Mule and the Allman Brothers, featuring Allen Woody, Matt Abts from Gov't Mule, and Berry Oakley from the Allman Brothers, along with Mark Ford lead guitarist with the Black Crows, and on keyboards Johnny Neil from Dickey Betts Band and the Allman Brothers.
BLUE FLOYD endeavors to deconstruct the classic compositions of the legendary PINK FLOYD into their primal, elemental form. As much an homage to the influence of Howlin' Wolf, Willie Dixon and Muddy Waters as a rediscovery of both FLOYD classics and rarities, BLUE FLOYD plays iconoclastically familiar songs, heard again as if for the first time…
Floyd McDaniel was 78 when, in 1994, he recorded Let Your Hair Down! for the Chicago-based Delmark. Through the years, the singer/guitarist had been the type of artist who had one foot in pre-bebop jazz and one in urban blues–and that approach continues to serve him nicely on this CD. McDaniel's credentials as a jump blues shouter are illustrated by inspired versions of Louis Jordan's "Caldonia," T-Bone Walker's "Blue Mood" and Roy Milton's "R.M. Blues," while his talents as a jazz singer are evident on Duke Ellington's "It Don't Mean That Thing" and Billie Holiday's "God Bless The Child." On this album, McDaniel leads a cohesive, swinging octet known as the Blues Swingers, which consists of a hard-swinging rhythm section and four horn players, including trumpeter Mike McLaughlin, tenor saxophonist Dave Clark, alto saxophonist Paul Mundy and baritone saxophonist/clarinetist Martin "Van" Kelly…
Is There Anybody Out There? The Wall Live 1980–81 is the third live album released by Pink Floyd in 2000. It is a live rendition of The Wall, produced and engineered by James Guthrie, with tracks selected from the August 1980 and June 1981 performances at Earls Court in London. The shows involved the construction of a wall on stage throughout the first half of the show. Once complete, members of the band performed in small openings in, atop, in front of, or even behind the wall. The album artwork featured the life-masks of the four band members in front of a black wall; the masks were worn by the "surrogate band"[4] during the song "In the Flesh". "Goodbye Blue Sky" and parts of "Run Like Hell" were taken from the 17 June 1981 show, the very last performance by the four-man Pink Floyd until the 2005 Live 8 concert.
Rare and collectable Pink Floyd broadcast recordings from 1969 - digitally remastered - including BBC sessions, audio from TV broadcasts from France and Germany, plus an early concert recorded at Southampton University.