The explosive transformation of Miles Davis’ “second great Quintet” with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on this release. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material. This is a 3-CD + DVD package, with an 8-panel digipak with 28-page booklet.
The critics despised this live recording (poor sound, flat, etc). Since I am not critical (thank God), but a simple listener and -of course- I have another perspective.
Tina Live in Europe is the first live album by Tina Turner, released on Capitol Records in 1988. The album is compiled of live performances made between 1985 and 1987, the majority of which are from Turner's Break Every Rule World Tour but also from the 1985 Private Dancer Tour, as well as the 1986 Tina Turner: Break Every Rule HBO special recorded in London at the Camden Palace (now Koko), masquerading as Le Club Zero in Paris, also released on video. The double album reached #8 in the UK Albums Chart. In 1989 the album won a Grammy Award for Best Female Rock Vocal Performance. The double CD version of Tina Live in Europe includes four bonus songs not featured on the original double vinyl album.
The first volume Legacy’s Miles Davis bootleg series offered audio and video evidence of his second great quintet playing the Newport Jazz Festival in Europe in 1967. Acclaim from critics and fans was universal. This second entry, Live in Europe 1969: Bootleg Series, Vol. 2, showcases almost an entirely different band – only saxophonist Wayne Shorter remains. Bassist Dave Holland, drummer Jack DeJohnette, and pianist Chick Corea made up Davis' road band, and other individuals participated in sessions for Filles de Kilimanjaro and In a Silent Way. These fire-breathing performances offer a band at fever pitch hearing and playing what they knew even then was a new chapter in jazz history.
'Live in Europe' crowns what was a momentous year for pianist Fred Hersch. Capturing his trio - with longtime associates, bassist John Hébert and drummer Eric McPherson - in peak form, the new album signals a high level mark for an ensemble that has been garnering critical and popular praise for nearly a decade.
Catalogue / Preserve / Amass is a live album released in 2012 by British musician and record producer Steven Wilson, known for being the founder and frontman of psychedelic/progressive rock band Porcupine Tree. After pre-ordering this a week or so ago, when I got home this evening there it was waiting for me. No doubt I will carry it around with me for days and days, playing little games, like not looking at it for a whole day, and then…looking at it to see if I still liked it…I'm sure I will. The more I look at it, the more I like it…..hang on, haven't I heard that somewhere before?….
The live album Live in Europe/Stage Struck captures Rory Gallagher at his finest, as he tears his way through many of his very best songs. Though the performance quality is a little uneven, there are gems scattered throughout the record, including smoking versions of "Messin' with the Kid" and "Laundromat."
Gerald Joseph Mulligan (April 6, 1927 – January 20, 1996) was an American jazz saxophonist, clarinetist, composer and arranger. Though Mulligan is primarily known as one of the leading jazz baritone saxophonists – playing the instrument with a light and airy tone in the era of cool jazz – he was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. Mulligan's pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments. Several of his compositions, such as "Walkin' Shoes" and "Five Brothers", have become jazz standards.