Grant Green's third album to be released, Grantstand teams the clear-toned guitarist with an unlikely backing group of musicians who rarely appeared with Blue Note otherwise: tenor saxophonist Yusef Lateef (who doubles on flute), organist Brother Jack McDuff, and drummer Al Harewood.
if you're looking for Green the soul-jazz groovemaster, Grantstand is an excellent place to find him.
Deeper and richer than their debut, Spoke, Calexico's second album expands upon the sun-baked, cinematic sound of before with the addition of Latin jazz rhythms, mariachi trumpets, and pedal steel; in and of themselves, the group's songs are not exactly compelling, but they're produced with such a fine sense of texture and atmosphere that The Black Light still makes for intriguing listening. Allmusic 4,5/5.
Drummer Tony Williams' first recording as a leader (made when he was 18 and still billed as Anthony Williams) gave him an opportunity to utilize an advanced group of musicians: tenor saxophonist Sam Rivers, vibraphonist Bobby Hutcherson, pianist Herbie Hancock, and both Richard Davis and Gary Peacock on bass. Williams wrote all four of the pieces and has a different combination of players on each song. The freely improvised "Memory" features Hutcherson, Hancock, and Williams in some colorful and at times spacy interplay; "Barb's Song to the Wizard" is a Hancock-Ron Carter duet; "Tomorrow Afternoon" has Rivers, Peacock and Williams in a trio; and all of the musicians (except Hutcherson) are on the sidelong "2 Pieces of One." The unpredictable music holds one's interest; a very strong debut for the masterful drummer. Allmusic 4,5/5
Available only in Japan, guitarist Grant Green is heard in prime form in a sparse trio with bassist Wilbur Ware and drummer Al Harewood. Because Green rarely ever played chords, sticking to single-note lines, hearing him in this setting is similar to hearing a tenor in a pianoless trio. Recommended. Allmusic****
Limited MQA-CD + Blu-ray edition. Feel Like Making LIVE! Includes James's most well known hits like 'Angela', 'Maputo', 'Westchester Lady' and 'Nautilus' as well as an instrumental cover of Elton John 's 'Rocket Man'. This new jazz trio live-in-the-studio concert film was stylishly filmed in 4K and recorded in high resolution audio and is available as a MQA-CD with Blu-ray…
Their Satanic Majesties Request is the sixth studio album by The Rolling Stones and was released on 8 December 1967 by Decca Records/ABKCO Records in the United Kingdom and the following day in the United States by London Records/ABKCO. Its title is a play on the "Her Britannic Majesty requests and requires…" text that appears inside a British passport.
Richie Unterberger of Allmusic wrote:
Without a doubt, no Rolling Stones album — and, indeed, very few rock albums from any era — split critical opinion as much as the Rolling Stones' psychedelic outing. Many dismiss the record as sub-Sgt. Pepper posturing; others confess, if only in private, to a fascination with the album's inventive arrangements, which incorporated some African rhythms, Mellotrons, and full orchestration. Never before or since did the Stones take so many chances in the studio. In 1968, the Stones would go back to the basics, and never wander down these paths again, making this all the more of a fascinating anomaly in the group's discography.
Somewhere between Gainsbourg, Scott Walker and Gene Vincent, Alain Bashung, who has died aged 61, was a French popstar with millions of fans.
He worked a rare intelligence and profound poetry into his songwriting, over the years developing a style of phrasing which always put expressiveness first. Less ruled by the idea of absolute authorship than Gainsbourg, Bashung knew, throughout his career, how to find alter egos to expand his universe.
Bashung made rock music which worked in the French language, succeeding where many predecessors and contemporaries were content to offer pale imitations of Anglo-Saxon artists. He often did so while employing the best musicians from the UK and the US – for instance, he worked with the Roxy Music guitarist Phil Manzanera and Wire's Colin Newman on Novice (1989), Adrian Utley of Portishead on Fantaisie Militaire (1998), and the Tom Waits collaborator Marc Ribot on Chatterton (1994), L'Imprudence (2002), and Bleu Pétrole (2008), the last of his 13 studio albums. In doing so, Bashung followed in the footsteps of Serge Gainsbourg, who often came to London and who used seasoned British artists to record Histoire de Melody Nelson (1971). Gainsbourg and Bashung teamed up for the latter's critically-acclaimed "cold wave" album, Play Blessures, in 1982.
McCoy Tyner forged his sound as a leader on the amazing session with Joe Henderson, Ron Carter and Coltrane bandmate Elvin Jones. All five distinctive compositions have become jazz standards. A perfect record and an essential one too. –Amazon.
One of Grant Green's three great sessions with organist Larry Young and drummer Elvin Jones. Hank Mobley joins the trio for beautiful explorations on "Speak Low" and "Stella By Starlight" as well as two contemporary tunes: "Corcovado" and the title track. –Amazon