Bob Mould Workbook

Bob Mould - Workbook (1989) [Re-Up]  Music

Posted by Designol at Oct. 21, 2021
Bob Mould - Workbook (1989) [Re-Up]

Bob Mould - Workbook (1989)
EAC | FLAC | Tracks (Cue&Log) ~ 348 Mb | Mp3 (CBR320) ~ 123 Mb | Scans included
Alternative/Indie Rock, College Rock | Label: Virgin | # CDVUS2 | Time: 00:52:45

Arriving after years of sonic bombast in Hüsker Dü, the reflective, acoustic nature of Bob Mould's first solo album, Workbook, was a bold statement of renewal. Like all of Mould's work, it's an intensely introspective record, finding him purging demons left over from the dissolution of Hüsker Dü. Instead of relying on raging guitars, Mould explores a wide variety of styles, from pure pop ("See a Little Light") to reflective folk laced with cellos. It's an astonishing array of styles, and the songs are among Mould's finest. For many observers, the record established him as a major songwriter, but it also established a way for underground post-punk artists to mature – echoes of Workbook could be heard throughout the '90s, from R.E.M.'s elegiac Automatic for the People to Nirvana's use of cellos on In Utero and Unplugged. But Workbook remains a stunning work of individuality, marrying a distinctive body of songs with an original musical vision.

Bob Mould - Distortion: 1989-2019 (Remastered) (2020)  Music

Posted by Rtax at May 22, 2022
Bob Mould - Distortion: 1989-2019 (Remastered) (2020)

Bob Mould - Distortion: 1989-2019 (Remastered) (2020)
FLAC (tracks) - 8.7 GB | MP3 CBR 320 kbps - 2.7 GB
19:52:46 | Rock, Blues, Art Rock, Acoustic, Alternative Rock | Label: Edsel Records

Distortion: 1989-2019, a chronicle of the solo career of Bob Mould and his band Sugar released on the 2nd October 2020. Presented as a 12″ x 12″ hardbound book, this massive anthology compiles — for the first time — Bob Mould’s recorded work from 1989 onwards: 18 studio albums, plus 4 live albums and 2 albums of rarities and collaborations. Assembled with Bob Mould’s full involvement, featuring new sleeve notes from UK music critic Keith Cameron, and exclusive new artwork by Simon Marchner, this is the definitive portrayal of an American rock icon.