Boni

1895. Boni de Castellane, jeune et se¿duisant fleuron de la noblesse française, n'ayant pour seuls biens que son panache et ses rêves d'esthète, e¿pouse Anna Gould, héritière convoitée de la plus grosse fortune d'Ame¿rique. Mais le conte de fées tourne bientôt au cauchemar. À travers ce couple improbable, deux mondes s'affrontent, l'Ancien et le Nouveau : une France aristocratique, catholique et libertine, où flotte encore un parfum d'Ancien Régime ; l'Amérique du Gilded Age, puritaine, vouée au culte de l'argent et du self-made man. …

Transcriptions of chamber works to orchestral works have been interesting asides for composers for a long time - whether the transcription are alterations of a composer's own songs or chamber works to full orchestral size or those of other composers for which the transcriber had a particular affinity. Stokowski's transcriptions of Bach's works are probably the most familiar to audiences. The two transcriptions on this recording are the creations Gustav Mahler and his election to transcribe the quartets of Beethoven and Schubert is not surprising: Mahler 'transcribed' many of his own songs into movements or portions of movements for his own symphonies. Listening to Mahler's transcriptions of these two well known quartets - Franz Schubert's String Quartet in D Minor 'Death and the Maiden' and Ludwig van Beethoven's String Quartet in F Minor 'Serioso' - provides insight into both the orginal compositions and the orchestration concepts of Gustav Mahler. The themes of these two works would naturally appeal to Mahler's somber nature. Mahler naturally extends the tonal sound of each of these transcriptions by using the full string orchestra and in both works it is readily apparent that his compositional techniques within string sections are ever present.

Founded in 1982, the Czech Boys Choir Boni Pueri carries on the tradition of a choir that has been active in the metropolitan chapter of St Vitus in Prague since 1252. The present ensemble, which has 200 members ranging from 4 to 19 years old, has performed more than 4,000 international concerts. Boni Pueri also performs at important state events, and has appeared alongside numerous distinguished artists. It is often invited to perform as a guest artist at festivals around the world, and also works closely with the Czech Philharmonic Orchestra.

Both these works are unashamedly Romantic and nostalgic in style. The E minor Piano Concerto was composed in 1960, at the same time as Rota's music for Fellini's film La dolce vita. As if in answer to the extreme cynicism of that and much of his other film music, the concerto seems to be a questioning exploration of the remaining possibilities in a modern, Romantic form. The opening Allegro-tranquillo movement begins with a dreamlike theme on the piano which is then taken up by the orchestra and developed as a sort of conversation – the orchestra insisting on a heroic, almost martial sound, while the piano and woodwind reiterate the original soft mood.

An accomplished cellist and a composer in the service the same Cardinal as Arcangelo Corelli, the name of Pietro Gaetano Boni has long been forgotten along with his compositions and technical achievements on his instrument. Fortunately, a delightful set of 12 sonatas for cello and basso continuo has survived to be performed by cellist Andrea Fossà (only 8 of the 12 are heard on this Dynamic album) accompanied by a continuo of a second cello or viola da gamba, archlute, and harpsichord. Boni's familiarity with the cello is apparent from his melodies that play to the cello's strengths while still exploring what, at the time, would have been considered an extended range and technical challenges.