Proud Words On A Dusty Shelf (1973). This is the solo debut of Uriah Heep's resident keyboardist and top songwriter, but it isn't the heavy metal epic one might expect. In fact, Proud Words On A Dusty Shelf uses electric guitar sparingly and instead goes for a moody soundscape built on acoustic guitar and piano. Songs like "Black Hearted Lady" and "The Last Time" even evoke a bit of a country and western feel, thanks to their use of mellow-sounding slide guitar. This subtle sonic style puts Hensley's songwriting in the spotlight and that is a good thing because each of the songs is well-crafted and tuneful: a subtle combination of acoustic guitar and synthesizer brings out the haunting, delicately crafted melody of "From Time To Time" and "Black Hearted Lady" effectively evokes its mood of heartbreak with a descending acoustic guitar riff…
An English hard rock institution founded by former Deep Purple vocalist David Coverdale, Whitesnake emerged in the late 1970s with a style steeped in the driving British blues-rock of bands like Thin Lizzy, Led Zeppelin, and of course, Deep Purple. After recalibrating their sound to better adapt to the burgeoning '80s hair and pop-metal scene, they found commercial success with 1984's Slide It In and then cannonballed into the mainstream in 1987 with the release of their multi-platinum-selling eponymous seventh effort, which spawned the power ballad "Is This Love" and the massive crossover number one hit "Here I Go Again."
Perhaps realizing that Down on the Farm wasn't the proper swan song for Little Feat, the group persuaded Warner Brothers to release a compilation of rarities and overlooked tracks as a swan song and farewell to fans. Filled with live performances, obscurities, album tracks, and a new song apiece from Bill Payne and Paul Barrere, Hoy Hoy is a bit scattered, a bit incoherent, a little bewildering, and wholly delightful – a perfect summation of a group filled with quirks, character, and funk, traits which were as much a blessing as they were a curse. Hoy Hoy is one of those rare albums that may be designed for diehards – who else really needs radio performances, early recordings from before the band was signed, and outtakes, especially if they're surrounded by early album tracks? – but still is a great introduction for novices. That doesn't mean it's as good as such masterpieces as Sailin' Shoes, Dixie Chicken, or Waiting for Columbus, but it does capture the group's careening, freewheeling spirit, humor, and musical versatility, arguably better than any single album.