Volume 21 of the great musical adventure brings another helping of mid-century rhythm’n’blues from the bayou region of South Louisiana/SE Texas, an area that spreads from New Orleans in the east to Port Arthur in the west. Here are the hot guitars, pounding pianos and honking saxes, spiced here and there with a little accordion or harmonica, all topped off by cool vocals. This collection stems from the vaults of the most innovative record men of the region – Eddie Shuler, JD Miller, Floyd Soileau, Sam Montel and Huey Meaux. All had a gift for recognising musical talent and letting it flourish. They were able to encourage and cajole the best possible performances from their artists without corrupting their individuality.
If compiler Neil Slaven was an axe hero, he says he would favour a Danelectro Guitarlin, with its longhorn body, its lipstick pickups and coke-bottle machine head. Perhaps he d settle for the red Gretsch Duo-Jet Bo Diddley sported on his first album cover. That puts him out of step with most of the guitarists gathered on Deep Feeling. Albert King favoured the Flying V, Buddy Guy liked the metallic clatter of a Strat and Muddy Waters slashed his slide down a Telecaster neck. Semi-acoustics were the name of the game for the average blues guitarist. B.B. King and Little Milton took an early shine to the Gibson ES-335 (our cover star incidentally, in rare original watermelon cherry finish), although B s Lucille was actually a slimline 355…
10 CD box set, a massive volume of Rockabilly, Country and Hillbilly classics and rarities. Most of the songs never made it to the charts, yet the music contained herein is sensational - 200 tracks!
Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources. The only reason I can think of for there not yet being a review of these four boxed sets, is that those who own them are just too busy having one hell of a blast listening to them. Some people moan about the 50 year copyright law for audio recordings in Europe, but without it this highly entertaining, eye-opening and educational undertaking could never have taken place. These 100 discs (spread over four boxed sets of 25 discs) tell the story of jazz from 1898 to 1959.
Few jazz pianists could honestly claim to be more eclectic than the late Jaki Byard. Depending on the mood he was in, the Bostonian could acknowledge anyone from Dave Brubeck to James P. Johnson to Cecil Taylor. Byard wasn't afraid to take chances, and his open-mindedness served him well. The pianist's eclectic nature is impossible to miss on Solo/Strings, which is the 2000 reissue of his Prestige dates Jaki Byard with Strings (1968) and Solo Piano (1969) on a single 78-minute CD (minus, unfortunately, "Hello, Young Lovers" from Solo Piano). While Solo Piano is exactly that – an album of unaccompanied solo piano – Jaki Byard With Strings is somewhat misleading.