Boris Giltburg has set out to study and film all of Beethoven’s 32 piano sonatas by the end of 2020. The project started as a personal exploration, driven by curiosity and his strong love of the Beethoven sonatas. These performances display Giltburg’s customary spirit and technical finesse, and also convey the electric atmosphere of the live recording.
On this fascinating new release, violinist Fedor Rudin and pianist Boris Kusnezow perform works by mid-20th-century Russian composers Edison Denisov, Dmitri Shostakovich and Sergei Prokofiev, including previously unpublished music. French-Russian violinist Fedor Rudin explores and pays tribute to his heritage via this rich collection of works, including his own arrangement of Denisov’s orchestration of Debussy’s ‘Prelude and Duo’, which comes from Debussy’s unfinished opera, Rodrigue et Chimène. Other gems include Denisov’s rarely-heard Three concert pieces for violin and piano (1958), and his previously unpublished Sonatina (1972), which marks a return to his melodic youth after the musically experimental interim years. Those years are represented here by Denisov’s dodecaphonic Sonata (1963). We also hear an unfinished Sonata by Shostakovich, Rachmaninoff’s arrangement of Mussorgsky’s ‘Hopak’ from his opera Sorochinsky Fair, and Prokofiev’s unusually theatrical Violin Sonata No. 1.
The dynamic duo of pianist David Kikoski and bassist Boris Kozlov is a triumph of musicality and virtuosity. There's some kind of magic happening between the two kindred spirits that goes beyond the notes. The musical connection between the two goes back more than 20 years. They have continued to play together regularly over the years in groups like the Mingus Big Band, in Kikoski's own trio and the all-star post-bop cooperative Opus 5. You can feel their sense of telepathy throughout Sure Thing and it is readily apparent on Kikoski's original compositions like "B Flat Tune," "E" and "Strength for Change," on the swinging version of John Coltrane's "Satellite" and the duo's faithful reading of keyboardist Keith Emerson's classically influenced "Fugue" from "The Endless Enigma." Their playful, relaxed chemistry permeates all eight tunes here and makes Sure Thing a true work of collaborative genius.
Elephant House Quartet invites the listener for a stroll through the colourful oeuvre of Telemann — himself a gardening enthusiast — presenting a bouquet of chamber-musical jewels. Telemann’s Garden ranges from excerpts of solo fantasias for violin, flute and harpsichord to a sonata for viola da gamba and basso continuo, a trio sonata for violin, recorder and basso continuo, a suite for violin, flute and basso continuo, as well as one of the quartets Telemann wrote during his Paris sojourns. These pieces together constitute a fascinating portrait of one of the most prolific and successful composers of the Baroque era.