The very best of Deutsche Grammophon’s piano recordings on 40 CDs, limited edition. From Aimard (The Art of Fugue) to Zimerman (his prize-winning Debussy Preludes on 1 CD for the first time), comprising all the great names – Argerich, Barenboim, Michelangeli, Gilels, Haskil, Horowitz, Kempff, Kissin, Pogorelich, Pollini, Richter; and the new names – Blechacz, Grimaud, Lang Lang, Trifonov, Yuja Wang, Yundi – this is the ideal set to form the cornerstone of a piano collection.
Mitsuko Uchida has been a committed exponent of Schoenberg's Piano Concerto for over a decade now. It is a work which remains controversial in its adaptation of the serial method to an almost Brahmsian harmonic palette, wedded to a formal approach that takes up the integrated design, and textural richness, of Schoenberg's pre-atonal works. Certainly in terms of the balance between soloist and orchestra, this recording clarifies the often capricious interplay to a degree previously unheard on disc (and most likely in the concert hall too).Interpretatively, it combines Pollini's dynamism, without the hectoring touch that creeps into the Adagio's climactic passages, and Brendel's lucidity, avoiding the deadpan feeling that pervades his final Giocoso.
Astounding debuts and legendary piano treasures on disc: newly remastered albums of 21 pianists from the analogue era, including many first-ever digital transfers.
Astounding debuts and legendary piano treasures on disc: newly remastered albums of 21 pianists from the analogue era, including many first-ever digital transfers.
Astounding debuts and legendary piano treasures on disc: newly remastered albums of 21 pianists from the analogue era, including many first-ever digital transfers.
The final volume of pianist Paavali Jumppanen’s acclaimed cycle of Beethoven piano sonatas. This volume combines the early Op. 7 and the famous Pathétique sonata together with the Last Sonatas Opp. 109-111 written by Beethoven in the 1820s. Jumppanen has collaborated with numerous contemporary composers and premiering many solo and chamber works for the piano.
Exploring 20th-century repertoire – both acknowledged masterpieces and new discoveries – this 14-CD anthology reflects the diverse aesthetic strands of Pierre Boulez’s programming over the course of his ground-breaking and influential career. These Erato recordings, made between 1966 and 1992, feature composers otherwise absent from Boulez’s discography – Xenakis, Donatoni, Grisey, Dufourt, Ferneyhough, Harvey and Höller – and the first CD release of the interpretation of Stravinsky’s incantatory Les Soucoupes in the version for female voices and four horns.
The very best of Deutsche Grammophon’s piano recordings on 40 CDs, limited edition. From Aimard (The Art of Fugue) to Zimerman (his prize-winning Debussy Preludes on 1 CD for the first time), comprising all the great names – Argerich, Barenboim, Michelangeli, Gilels, Haskil, Horowitz, Kempff, Kissin, Pogorelich, Pollini, Richter; and the new names – Blechacz, Grimaud, Lang Lang, Trifonov, Yuja Wang, Yundi – this is the ideal set to form the cornerstone of a piano collection.