Brahms Works For Solo Piano (julius Katchen)

A genius signed to Decca in 1946 who defined Deccas piano sound in the 1950s and 1960s with ravishing cantabile and depth of sonority borne of matchless technique. Complete Decca Recordings on 35CDs, including new-to-CD early recordings remastered from 78s, plus some of Deccas first-ever LPs.
Presentation includes 35CD Lift-off- lid box; notes by Cyrus Meher-Homji in English, German and French; rare photos and selected original covers in booklet. A child prodigy of startling promise, Julius Katchen matured into a pianist of broad interests and unique artistry. His death at age 42 denied a discerning public the presence of one of Deccas star instrumentalists during the 1950s and 1960s.

Here, together with a Schumann recital (see page 126) are the first fruits of Andras Schiff's new Teldec contract; a live recital taken from the prestigious series, ''Meesterpianisten'' in Amsterdam. I wish I could be more enthusiastic about such a debut, for Schiff is unquestionably among the most gifted and mercurial musicians of our time; a 'masterpianist' indeed. His programme, too, is exemplary with Handel's theme heard again in Brahms's Handel Variations and with Reger's massive Bach Variations as a daunting and enterprising close.

Comprehensive overview of the piano repertoire in classic performances! Super-budget pricing: 50 CDs for less than the price of 6! Includes all the major concertos, sonatas and other solo works. An obvious and quite reasonable question about this set is just how did Decca come to produce this diverse set of recordings involving so many high quality pianists? The most likely way – to simply box 50 previously produced disks – does appear to have been the main method used, but perhaps not always.

When Jorge Bolet died in October 1990 the world lost one of its last ‘great Romantics’. Spirituality, a luxuriant tonal palette, a real sense of architecture, breadth, grandeur, all allied to a prodigious technique – these were just some of the qualities that informed his playing. Now, for the first time, Decca collects all the recordings he made for the label, from 1977 to 1990. Released for the first time and included in this set, is his last recording, a selection of Chopin’s Nocturnes and the Berceuse, recorded just seven months before his death.

Today we take high fidelity sound quality for granted, but how did it start? When was the moment when compressed and scratchy sound gave way to natural, realistic sound that captured the whole picture of a performance? Decca Sound ‘Mono Years’ seeks to answer that question and shows how, 70 years ago, amidst war-time privations, a small team at Decca made technological breakthroughs that brought hi-fi to the world. This latest cube explores Decca’s earliest high-fidelity history, and restores some restores critically acclaimed albums from ensembles such as the Trio di Trieste, Quintetto Chigiano and Griller Quartet which have not been available since their original LP release more than sixty years ago. An equally impressive array of soloists includes pianists Clifford Curzon, Julius Katchen, Friedrich Gulda and Moura Lypmany and violinists Ruggiero Ricci and Alfredo Campoli. Several generations of cellists are represented with recordings by Pierre Fournier, Maurice Gendron and Zara Nelsova.