Orange Mountain Music presents this new limited edition 11 disc boxed set - The Symphonies by Philip Glass. This collection features conductor Dennis Russell Davies who has arranged the commission of nine of ten Glass symphonies, leading the orchestras over which he has presided during the past 15 years including the Bruckner Orchester Linz, Vienna Radio Symphony Orchestra, Sinfonieorchester Basel, and the Stuttgart Chamber Orchestra. This collection is the fruit of a 20 year collaboration between Glass and Davies and showcases a wide variety within this surprising body of work by Glass.
If you have got this far, you will already have an idea of what awaits you in the music of Braga Santos. So I would just give a brief summary about the composer. He lived from 1924 to 1988 where he died as a result of a stroke. Although he was composing through the middle of the 20th century, for much of the time he avoided the musical trends of the period, obviously thinking there was still more that could be said within a tonal framework. Around 1960 he changed his style of composition, exploring the musical trends that had been occurring during his life. He wrote his first four symphonies in a short period between the ages of 22 and 27. These are all a product of his tonal period, and to any lover of the Romantic Symphony, all four are deserving of being in their collection.
Reference Recordings proudly presents the Symphony No. 4 of Johannes Brahms, with James MacMillan’s Larghetto for Orchestra, in exceptional performances from Manfred Honeck and the Pittsburgh Symphony Orchestra. We are excited that this release coincides with the orchestra’s 2021-2022 season and triumphant return to live concerts! These works were recorded live in beautiful and historic Heinz Hall, now celebrating its 50th Anniversary season.
One composer damned to musty obscurity not too long ago was Eugen d'Albert; while regarded as one of history's legendary pianists, his composing activity – which spans an especially interesting period from the 1880s to the early '30s – was seen as a stick-in-the-mud retention of German post-romanticism and therefore an unnecessary pursuit. However, his 1903 operetta Tiefland never left the repertory of the German-speaking stage, and it is the Theater Osnabrück that is co-branding CPO's release Eugen d'Albert: Symphony Op. 4 – Seejungfrauen Op. 15, which features the in-house symphony, the Osnabrücker Symphonieorchester under the baton of general music director Hermann Bäumer. The Osnabrück Symphony is a notably compact band usually numbering around 45 pieces, but it has a big sound nonetheless, captured generously in this fine CPO recording.