Brainwave Symphony CD 4

The Munich Philharmonic have arguably given more performances of Anton Bruckner’s music than any other orchestra. A great number of Bruckner recordings led by the many legendary conductors that have worked with the Munich Philharmonic are stored in the historical archive of the MPHIL Label including magnificent pieces with Sergiu Celibidache, Christian Thielemann, Rudolf Kempe, Günter Wand and Oswald Kabasta.

Pulitzer Prize-winning composer Kevin Puts (b. 1972) is known for his distinctive and richly coloured musical voice. Making their label début, Marin Alsop and the Baltimore Symphony Orchestra perform Kevin Puts’ Symphony No.4 (From Mission San Juan), inspired by Native American melodies. Opening this programme of world première recordings, Craig Hella Johnson leads Conspirare in two choral settings of texts by women poets: 'To Touch the Sky' and 'If I Were a Swan'.

"111 Classic Tracks is the ultimate compilation of artists and recordings from Deutsche Grammophon's huge catalogue, ranging from an aria sung by Enrico Caruso in 1907 to a Richard Strauss song recorded by Measha Brueggergosman in 2009 (and not previously released). It features 111 artists, from Claudio Abbado to Krystian Zimerman, who have contributed to the label's glorious history."

Gustav Mahler: Symphony No. 4
Edith Mathis (sop); Berliner Philharmoniker; Herbert von Karajan
Classical | 1 CD | EAC Rip | 226 Mb | FLAC+LOG+M3U+Cue | Full scans | 2 RS links
Publisher: Deutsche Grammophon DG (E) 415 323-2GH

…Such playing (though if I'm to be hyper-critical I don't care for some of the solo-violin playing), such excellent recording balance and, above all, such conducting, Karajan at his most relaxed and winning, making all the humorous and fantastic points in the score with such affection.
The Gramophone

A very rare CD of a wonderful label Russian Disc with one of the Shostakovich most remarkable symphony - No.4, performed by Gennady Rozhdestvensky with the Bolshoi Theatre Orchestra.

Darius Milhaud evidently planned his musical career on a long-term basis. In 1920 he announced that he would write eighteen string quartets in his life, and he did so, completing his last quartet in 1951. Milhaud said that he did not plan on writing symphonies until 1942 (when he would be fifty years old), but that when a commission came in for a symphonic work to mark the fiftieth anniversary of the Chicago Symphony Orchestra, he judged that he was ready, and accepted the commission. Symphony No. 1 was the result…….