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Shirley Scott - Girl Talk (1967) {2015 Japan Impulse! Classics 50 Series UCCI-9274} Music
Posted by ruskaval at June 7, 2018
Shirley Scott - Girl Talk (1967) {2015 Japan Impulse! Classics 50 Series UCCI-9274}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 194 Mb | MP3 @320 -> 78 Mb
Full Artwork @ 600 dpi (png) -> 174 Mb | 5% repair rar
© 1967, 2015 Impulse! / Verve / Universal Music Japan | UCCI-9274
Jazz / Hard Bop / Soul Jazz / Organ
Sweet 60s grooves from Shirley Scott – really working the Hammond organ here with a wonderful sound – that warm, lean, soulful groove she hit perfectly at Impulse Records! There's a clarity here you don't get on some of Shirley's other records – a really stripped-down sound on the keys, which makes for playful lines that really sparkle – the kind of class and care that really set Scott apart from other 60s organists! Rhythm is nice and tight – bass from George Duvivier, and the great Mickey Roker playing some nice snapping, dancing drums – and tracks are short and compact, but still with some nice solo moments. Titles include "Come Back To Me", "On The Trail", "Love Nest", "Girl Talk", and "Keep The Faith Baby".
Nina Simone - Little Girl Blue (1958/2015) Music
Posted by Domestos at Sept. 25, 2017
Nina Simone - Little Girl Blue (1958/2015)
EAC Rip | FLAC (tracks+.cue, log) ~ 231.20 Mb | 45:37 | Covers
Vocal Jazz | Country: USA | Label: Analogue Productions (CAPJ 083 SA)
EAC Rip | FLAC (tracks+.cue, log) ~ 231.20 Mb | 45:37 | Covers
Vocal Jazz | Country: USA | Label: Analogue Productions (CAPJ 083 SA)
Little Girl Blue, released in 1957, was Nina Simone's first recording, originally issued on the Bethlehem label. Backed by bassist Jimmy Bond and Albert "Tootie" Heath, it showcases her ballad voice as one of mystery and sensuality and showcases her up-tempo jazz style with authority and an enigmatic down-home feel that is nonetheless elegant. The album also introduced a fine jazz pianist. Simone was a solid improviser who never strayed far from the blues. Check the opener, her reading of Duke Ellington's "Mood Indigo," which finger-pops and swings while keeping the phrasing deep-blue. It is contrasted immediately with one of the – if not the – definitive reads of Willard Robison's steamy leave-your-lover ballad "Don't Smoke in Bed." The title track, written by Rodgers & Hart, features "Good King Wenceslas" as a classical prelude to one of the most beautiful pop ballads ever written.