Breakthrough Floodgates of Venice

La Serenissima: The Story of Venice eBooks & eLearning

Posted by IrGens at Dec. 30, 2022

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Topographic Memory and Victorian Travellers in the Dolomite Mountains: Peaks of Venice eBooks & eLearning

Posted by roxul at Dec. 1, 2024

William Bainbridge, "Topographic Memory and Victorian Travellers in the Dolomite Mountains: Peaks of Venice "
English | ISBN: 9462987610 | 2020 | 310 pages | PDF | 4 MB

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The floodgates of anarchy eBooks & eLearning

Posted by insetes at Nov. 2, 2018

The floodgates of anarchy By Meltzer, Albert; Christie, Stuart
2010 | 139 Pages | ISBN: 1604861053 | PDF | 9 MB

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Roderick Williams, City of London Choir & Hilary Davan Wetton - Horovitz: Captain Noah and his Floating Zoo (2024) [24/96] Vinyl & HR

Posted by delpotro at April 9, 2024

Roderick Williams, City of London Choir & Hilary Davan Wetton - Horovitz: Captain Noah and his Floating Zoo (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 25:51 minutes | 508 MB
Classical, Vocal | Label: Orchid Classics, Official Digital Download

Captain Noah and His Floating Zoo (1970) is a children's cantata composed in a popular style for unison or two-part voices and piano, with optional bass and drums. The libretto by Michael Flanders is an adaptation of the Biblical tale of Noah found in Genesis chapters 6–9. It is one of a series of "pop cantatas" commissioned for school use by Novello, including The Daniel Jazz (1963) by Herbert Chappell, Jonah-Man Jazz (1966) by Michael Hurd and Joseph and the Amazing Technicolor Dreamcoat by Andrew Lloyd Webber (1968).

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Shylock's Venice: The Remarkable History of Venice's Jews and the Ghetto eBooks & eLearning

Posted by Free butterfly at June 19, 2024

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Shylock's Venice: The Remarkable History of Venice's Jews and the Ghetto eBooks & eLearning

Posted by Free butterfly at June 19, 2024

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Bruno Bartoletti, Orchestra of La Fenice Theatre of Venice - Britten: Death in Venice (2013) [Blu-Ray] Music

Posted by Vilboa at May 1, 2018

Here is Death in Venice in high Visconti style, ravishingly designed in greys and silver blues, and inimitably Italian in the classical elegance of its settings. No other production of this opera has so successfully transported the audience through a series of fully conceived sets – starting out from a graveyard built of piles of books, along the Grand Canal, checking in to a black-and-white marble hotel, and then out on to the beach, where the games of Apollo take place under the gaze of the god’s giant statue.

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