Brent Smith Shit Test Encyclopedia

Brent Smith was originally one of the inspirations for David DeAngelo's dating system and his eBook. Brent also appeared later in David DeAngelo's seminars and interview series as "Brent".

Brent Smith was originally one of the inspirations for David DeAngelo's dating system and his eBook. Brent also appeared later in David DeAngelo's seminars and interview series as "Brent".

Brent Bourgeois was one half of the equation known as Bourgeois Tagg, a pop/rock band who had a small number of hits in the mid/late 80's, including "Mutual Surrender (What A Wonderful World" and "I Don't Mind At All". Critics were comparing Bourgeois to Paul McCartney and Todd Rundgren. As the band were preparing to record a third album, Bourgeois kindly left them to pursue a solo career. Some felt the huge success of "I Don't Mind At All" would lead to greater success for him. Unfortunately it didn't work out that way.

The American south isn't just Brent Cobb's home. It's his muse, too. A Georgia native, he fills his Grammy-nominated songwriting with the sounds and stories of an area that's been home to southern rockers, soul singers, country legends, and bluesmen. Cobb has a name for that rich tapestry of music — "southern eclectic" — and he offers up his own version of it with his newest album, Southern Star.

In 2001, alto saxophonist Brent Jensen released The Sound of a Dry Martini: Remembering Paul Desmond. Resonating immediately with radio stations and their audiences, the album has been a consistent presence on the airwaves and has been streamed thousands of times a week since that technology was first conceived. Some twenty years later, Jensen now offers the house another round. Joined by guitarist Jamie Findlay, his long time partner in interpreting Desmond's works, Jensen improvises new melodies as rich and satisfying as the tunes from which they are based, subtly coloring his lines with romance, melancholy and joy. He shares a stylistic affinity with both Desmond and Lee Konitz in a lyrical sense, weaving singing, free-flowing lines in his own singular voice through Desmond favorites such as “Take Ten,” and “Desmond Blue,” or standards like "These Foolish Things" and "Alone Together." Supported by an outstanding Seattle cast - drummers Stefan Schatz and John Bishop, bassist Chris Symer and pianist Bill Anschell - Jensen creates another irresistible tribute to an iconic musical voice.

Creed Taylor matched two of his most famous artists, Wes Montgomery and Jimmy Smith, on this session (Montgomery's last for Verve), and the results are incendiary - a near-ideal meeting of yin and yang. Smith comes at your throat with his big attacks and blues runs while Montgomery responds with rounder, smoother octaves and single notes that still convey much heat. They are an amazing pair, complementing each other, driving each other, using their bop and blues taproots to fuse together a sound. The romping, aggressive big band charts - Oliver Nelson at his best - on "Down by the Riverside" and "Night Train," and the pungently haunting chart for Gary McFarland's "13" (Death March)" still leave plenty of room for the soloists to stretch out. "James and Wes" and "Baby, It's Cold Outside" include drummer Grady Tate and conguero Ray Barretto, with Smith's own feet working the organ pedals…