Brian Anderson

Following the critically acclaimed 'Jem Records Celebrates John Lennon', Jem artists have created a homage to Beach Boys' writer and leader Brian Wilson. 'Jem Records Celebrates Brian Wilson includes tracks by The Weeklings, The Grip Weeds, Nick Piunti, The Anderson Council, The Midnight Callers, Richard Barone, Johnathan Pushkar, and Lisa Mychols & Super 8. Sure to be on the list of Beach Boys fans and that of each Jem artist.

1000 Hands: Chapter One is the fifteenth studio album by English singer-songwriter and musician Jon Anderson, released March 2019. The album originates from sessions for a project to have been called Uzlot (a northern English pronunciation of "us lot") that Anderson had been recording in Big Bear, California, with Brian Chatton in around 1990. Chatton wrote most of the music, played keyboards and also sang. Anderson asked his then Yes bandmates Chris Squire and Alan White to play on the project too. At the time, Yes were preparing for a tour and Anderson put the master tapes in his garage and, as he has recounted, gave them very little thought for many years. In 2016, producer Michael Franklin contacted Anderson about using the tapes and finishing an album. Further recordings followed at Solar Studios in Orlando, Florida. Along with some newly written material, the final result is 1000 Hands.

.While many Jon Anderson fans knew he had it in him to do something very light and airy and perhaps even without vocals (Olias of Sunhillow essentially led the way), the fact that it's something this light and airy is likely to come as a bit of a shock. Anderson presents the listener with a soundscape made up of long, sustained notes and drifting chords, a construction in which the few melodies present take minutes to work through – there's far more in common with the Hearts of Space catalog here than with much of Anderson's prior work, though the Vangelis influence is to be felt, too (especially on the quarter-hour "New Eire Land")…

Following four years after The Drop, Drawn From Life sees Brian Eno collaborating with German DJ J. Peter Schwalm. (Music for Onmyo-Ji, a previous Eno/Schwalm work from 2000, was released in Japan only.) Those who soured at the distant crispness of The Drop will find this to be a more inviting listen, even more so than Eno's 1996 collaboration with bassist Jah Wobble on Spinner. Jazzy, shuffling rhythms and strings that sway from cutting to sighing lay the foundation of most of the tracks, with some repetitive nonmusical effects often falling somewhere in the mix. If there is a fault of the record, it's that the vocals often get in the way of some fine background listening. If you don't have an affinity for Laurie Anderson's voice, you might be troubled that "Like Pictures, Pt. 2," which otherwise happens to be one of the record's most melodic and tranquil tracks, is interrupted by her intonations…

The Secret Language of Birds is Ian Anderson's third solo album, but the first to specifically highlight his melodic skill and guitar prowess on a set of folk-inspired songs. His first solo album, 1983's Walk into Light, was marred by its full embrace of sterile '80s production in lieu of rusticity. While his second effort, 1995's Divinities, was a move in the right direction and a sonic precursor to the set at hand, it still was held back by its conscious decision to downplay Anderson's obvious acoustic heritage for a more classical bent. But sometimes the obvious is what works best, and Jethro Tull fans were pleased to learn that Anderson's third release finally embraced his classic sound. Just like Tull's excellent Roots to Branches, this one has a decided ethnic flair, running the gamut from Indian to Russian to Celtic.

Dead Oceans is happy to welcome the pianist Tom Rogerson to the roster. His elegant and evocative debut, Finding Shore, a 13-track collaboration that began after Rogerson met Brian Eno outside the toilets after a gig, arrives December 8th.

25th anniversary reissue of this unique coming together of Brian Eno and ex-Public Image Limited bass player Jah Wobble, also featuring Jaki Liebezeit from Can on drums. Starting life as the soundtrack to Derek Jarman’s 'Glitterbug', Eno passed stereo mixes of the film cues to Wobble who embellished and built upon them to construct the 'Spinner' tracks. The resulting fusion combines icy ambience with a kind of psychogeographical funk.

As chart-topping multi-instrumentalist, songwriter and producer Brian Culbertson crafts his 20th album, the aptly titled "XX".Culbertson's catalogue includes recordings of jazz - contemporary and straight ahead - as well as R&B, funk, instrumental pop and New Age. "XX," which drops April 10, reflects his remarkable diversity. "It's a mix of things that I've done throughout my twenty records. There's a lot of funky instrumentals, some pop-sounding tracks, a couple slow jams, straight-ahead jazz, gospel, some vocals, lots of horns and some straight-up FUNK! The album is very much a mixture of some modern sounding programming along with live instruments, too. Real drums on almost everything mixed with programming. Definitely a cool sound," said Culbertson.

Connu pour sa loyauté, Leto Atréides est duc de Caladan et père de Paul-Muad'Dib. Là où d'autres intriguent, il agit pour la planète sur laquelle il règne. Pourtant, ses ennemis pressentent qu'il tente d'étendre ses pouvoirs. Il s'attire ainsi la faveur de l'empereur Padishah Shaddam IV, mais également la colère de la maison Harkonnen. Le souverain doit désormais choisir entre le devoir et la vie. …