Brian Setzer is one of the leaders of the big-band swing revival, and this program presents a terrific one hour and 40-minute Christmas concert in its entirety, featuring fun hits like "This Cat's on a Hot Tin Roof", "Jump Jive an' Wail", and "Run Rudolph Run", plus behind the scenes b-roll footage, including a first-time look at Brian Setzer and his orchestrator composing a chart from scratch. Filmed December 18, 2004 at L.A's sold-out Universal Amphitheatre, its is easily the best video presentation of the Brian Setzer Orchestra ever.
After initial studies in orchestration, and analysis at the Regional Conservatory of Paris, Franck Bedrossian studied composition closely with Allain Gaussin. He continued his studies at the Paris Conservatory (seminars with Gerard Grisey and later Marco Stroppa), where upon graduation he received unanimously the first prize for Analysis, and the first prize in Composition.
Counterfeit² is the first full-length studio album by Martin Gore, the primary songwriter for the band Depeche Mode.
Martin Gore's Counterfeit² beat David Gahan's Paper Monsters to the punch by just over a month; with some better timing - and, you know, a synchronous album from Andrew Fletcher - Depeche Mode could've pulled a Kiss. This first full-length from DM's principal songwriter follows an EP he released 14 years prior. On that EP, Gore covered some of his favorite songs and made them sound unsurprisingly like his group circa that year. As one can tell from the title of this disc, this is the same concept, and even some of the most ardent fans no doubt breathed another sigh of relief with the knowledge that he decided once again to let other people provide the lyrics…
Que pouvons-nous apprendre sur l'au-delà? Qu'arrive-t-il à nos chers disparus? Comment passons-nous dans l'au-delà? Qu'arrive-t-il à notre âme? Voilà autant d'interrogations qui trouveront des réponses dans ce livre percutant et captivant de Lisa Williams. Médium et clairvoyante de réputation internationale, Lisa Williams possède l'étonnante capacité de communiquer avec les parents et amis passés dans l'au-delà. …
In purgatory, the Ghosts of Versailles are waiting impatiently for Beaumarchais' new play: what if he manages to save Marie Antoinette from the scaffold? Here is Count Almaviva, the famous Figaro, but also Rosina and Cherubino, plunged into a thousand twists and turns to make the famous Queen's Necklace disappear, thwarting the spies of the Revolution. But the situation escapes it's creator, and Beaumarchais must himself become involved in the trial of the Queen - with whom he is in love? With assumed brio, Corigliano's music navigates between Mozart and Rossini, and takes the audience into an unexpected opera, all the characters of which are familiar to us! The Ghosts of Versailles are indeed there, and will fulfil their destiny once again…