Brian k Vaughn

Da quando metà della popolazione terrestre è misteriosamente e improvvisamente morta, Yorick Brown ha sempre creduto di essere il solo maschio rimasto in vita. Ma l'arrivo di una capsula spaziale contenente due uomini e una donna potrebbe rimettere tutto in discussione. Continua l'acclamata saga di Brian K. Vaughn e Pia Guerra.

During 1985, White released a solo album entitled "Maurice White". The album rose to #12 on the Billboard Top Soul Albums chart. Appearing upon the LP was a cover of Ben E. King's "Stand by Me", with a guest appearance by jazz saxophonist Gerald Albright. White's version of "Stand by Me" got to #6 on the Billboard Hot Soul Singles and #11 on the Billboard Adult Contemporary Songs chart. Another song from the album called "I Need You" rose to #20 on the Billboard Adult Contemporary Songs chart and #30 on the Billboard Hot Soul Singles chart.

Published by Documents (Membrane) in 2017. Featuring, Elvis Presley, Paul Anka, Pat Boone, Johnny Cash, Fats Domino,Cliff Richard, The Shadows and many more!

Berthold Heinrich Kämpfert, (16 October 1923 – 21 June 1980), better known as Bert Kaempfert, was a German orchestra leader, music producer, and songwriter. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including "Strangers in the Night" and "Moon Over Naples". Kaempfert was born in Hamburg, Germany, where he received his lifelong nickname, Fips, and studied at the local school of music. A multi-instrumentalist, he was hired by Hans Busch to play with his orchestra before serving as a bandsman in the German Navy during World War II. He later formed his own big band, toured with them, then worked as an arranger and producer, making hit records with Freddy Quinn and Ivo Robić. In 1961, he hired The Beatles to back Tony Sheridan for an album called My Bonnie. The album and its singles, released by Polydor Records, were the Beatles' first commercially released recordings.

Reviewing Halliday’s previous recorded work with guitarist Corey Christianson, Billy Kerr remarked in “Saxophone Journal,” “His saxophone playing and his music are at the highest levels, great dark, fat sound, wonderful time and feel, as well as a clean, fast technique . . . I’m sure he could play any kind of music.”