Bridget Jones's Baby

Based out of North Central Florida and inspired by classic & contemporary blues, the Bridget Kelly Band has placed their unique stamp on the "electric blues" genre, with high-energy live performances and a hybrid sound that mixes Texas, Chicago, and Memphis Blues with various Southern Blues traditions and blues-rock of the 1960's and 70's. The powerful and sultry vocals of singer Bridget Kelly and the incendiary lead guitar work of Tim Fik forge a signature hybrid sound that combines female urban blues with riff-driven rockin' blues guitar; held together by a dynamic rhythm section comprised of Alex Klausner on drums and Mark Armbrecht on bass.

Bridget Cunningham marks St Patrick’s Day with a new harpsichord CD that gives a glimpse into Handel’s fascinating time in Dublin. In 1741 at the age of 56, following a financially difficult time in London and with fashions turning against Italian opera, Handel went to Dublin for 9 months – a thriving musical city and the 2nd largest in the British Isles after London. The story of this fascinating trip is told in both music and detailed accompanying notes by harpsichordist and musicologist Bridget Cunningham. This disc is part of Cunningham’s ongoing series with the ensemble London Early Opera, which has already seen releases of several volumes of Handel’s music, including Handel in Italy and Handel at Vauxhall.

Handels Queens features some of the most exquisite pieces of music written by G.F. Handel and his contemporaries for the two finest singers of the eighteenth century, Faustina Bordoni and Francesca Cuzzoni. Often wrongfully framed as rivals, these dazzling new recordings with Mary Bevan and Lucy Crowe reveal the distinctive yet versatile talent of the Italian vocalists. Led by London Early Opera Director, Bridget Cunningham, Handels Queens serves an example of the groups dedication to imaginative programming and outstanding period performance, placing them at the forefront of baroque research.

London Early Opera perform a unique programme of Handel’s Italian-inspired works, devised by conductor Bridget Cunningham and featuring a unique family collaboration from from world-renowned soprano sisters Sophie Bevan and Mary Bevan alongside their uncle, bass Benjamin Bevan.

London Early Opera continue their programme themed around a typical evening’s entertainment at the 17th & 18th century Vauxhall Pleasure Gardens, with a second collection of works by George Frideric Handel and contemporary composers of the day (John Stanley, Thomas Gladwin, John Lampe and Johann Adolph Hasse). Featuring performances by soloists Claire Bessent, Mary Bevan, Benjamin Bevan, Eleanor Dennis, Charles MacDougale, Nicky Spence and Greg Tassell, the programme evokes the carnival of music and entertainments that amused visitors in these London gardens for nearly 200 years.

Harpist Bridget Kibbey makes her Pentatone debut with Crossing the Ocean. Via virtuosic soundscapes to driving grooves, Kibbey takes the concert harp to uncharted territory in precision, sound, and verve, by merging traditional music with the contemporary via six newly-commissioned works she has curated, by an international set of composers: Kati Agócs, Kinan Azmeh, David Bruce, Avner Dorman, Paquito d’Rivera, and DuYun.