Bridget Jonnes

Based out of North Central Florida and inspired by classic & contemporary blues, the Bridget Kelly Band has placed their unique stamp on the "electric blues" genre, with high-energy live performances and a hybrid sound that mixes Texas, Chicago, and Memphis Blues with various Southern Blues traditions and blues-rock of the 1960's and 70's. The powerful and sultry vocals of singer Bridget Kelly and the incendiary lead guitar work of Tim Fik forge a signature hybrid sound that combines female urban blues with riff-driven rockin' blues guitar; held together by a dynamic rhythm section comprised of Alex Klausner on drums and Mark Armbrecht on bass.

Harpist Bridget Kibbey makes her Pentatone debut with Crossing the Ocean. Via virtuosic soundscapes to driving grooves, Kibbey takes the concert harp to uncharted territory in precision, sound, and verve, by merging traditional music with the contemporary via six newly-commissioned works she has curated, by an international set of composers: Kati Agócs, Kinan Azmeh, David Bruce, Avner Dorman, Paquito d’Rivera, and DuYun.

Inspired by classic & electric blues, the Bridget Kelly Band has placed their unique stamp on the blues-rock genre; with high-energy live performances and a hybrid sound that mixes Texas Blues with various Southern Blues traditions. The sultry vocals of singer Bridget Kelly and incendiary lead guitar work of Tim Fik forge a signature sound that combines female urban blues with dynamic riff-driven blues.

Bridget St. John's final album fell somewhere between vintage British folk-rock and the kind of singer/songwriter approach used by Phoebe Snow or early Joni Mitchell. A low-key, agreeable affair of sophisticated romantic ruminations, although not compelling.
English singer/songwriter Bridget St. John was one of the leading lights of the British folk scene of the late '60s and early '70s, a gifted vocalist and guitarist who also wrote intelligent, impressionistic songs. After an especially active early run that produced classic albums like her psych-tinged 1971 set Songs for the Gentle Man, St. John moved to New York and all but vanished from public performance for over 20 years, re-emerging in the mid-'90s with sporadic concert appearances.

Her third solo harpsichord album on Signum Classics, baroque specialist Bridget Cunningham performs a host of works by the Anglo – Irish composer, Thomas Roseingrave in this world premiere recording to coincide with St Patrick’s Day. Although Roseingrave has been previously overlooked, he is one of the most interesting and original composers of keyboard music in eighteenth-century Britain. Cunningham who shares with him an Anglo-Irish heritage, has an ability to breathe life, air and space into this complex but exquisitely beautiful music.