Digitally remastered and expanded deluxe two CD edition of this album by the Norwegian trio. The first CD contains the original album plus five remixes. The second CD includes demos and live tracks. Stay on These Roads is the third full-length album by the pop band a-ha. It was released in 1988. Includes the singles 'You Are The One', 'Touchy', 'The Blood That Moves The Body', 'Stay On These Roads' and a different recording of their James Bond theme, 'The Living Daylights'.
Jerry Williams Jr. reinvented himself in the late ‘60s as Swamp Dogg, releasing the landmark 1970 album Total Destruction to Your Mind; it introduced the world to a smart, funny artist who wrote poignant, profound songs about the world around him. The man himself considers this set to be that landmark album’s spiritual equal. Whether he’s singing about nuances of race and racism in the title track or on “Prejudice Is Alive and Well,” asking what happened to a soul music superstar on “Where Is Sly,” or working through Sam Cooke’s “You Send Me” and a few other covers, this is pure timeless Swamp Dogg–styled R&B, soul, and funk.
A tremendous album from flute man Sam Most – a record that really shines strongly amidst the rest of his catalog – and one that has us completely reevaluating our understanding of his sound! By the time of this set, Sam had been blowing for a few decades – most famously on Bethlehem Records sessions of the 50s, but also on a number of other records over the years – yet this album has the musician emerging as a stunningly strong voice on his instrument – playing the flute with all of these low, deep tones that are quite a change from more mainstream jazz flute of the decade – especially in fusion or crossover soul. There's a wonderfully moody vibe to the album – laidback, but never sleepy – and cast out perfectly with a group that includes Kenny Barron on piano, George Mraz on bass, Walt Bolden on drums, and Warren Smith on percussion.
Like many of England's finest musicians, Andrew Lawrence-King began his career in choir school, serving as head chorister for the Cathedral and Parish Church of St. Peter Port, Guernsey. He took an organ scholarship to Cambridge University, where he read mathematics, but finished his studies in organ and voice at the London Early Music Centre. A party at a harpmaker's house gave the opportunity for Lawrence-King to own his first early harp, modeled after a Medieval Irish instrument.