Brillant Orange: The Neurotic Genius of Dutch Football

Billy Hawks played the organ and sang the blues – a combination that in the late '60s, when Hawks recorded and released The New Genius of the Blues and More Heavy Soul! for Prestige, meant that he was most certainly a practitioner of soul-jazz. Working in a similar vein to Jimmy Smith, Jimmy McGriff, and other funky professors of the Hammond organ, Hawks didn't play straight-up jazz on either of his Prestige LPs, here captured on a single-disc 2014 reissue by Ace. For one thing, he sang, a choice that positions his recordings much closer to R&B than jazz. Clearly, Ray Charles made an impression on Hawks – "I Got a Woman" shows up on New Genius, "Drown in My Own Tears" on More Heavy Soul! – but with his intimate trio (on New Genius, he's supported by guitarist Joseph Jones and drummer Henry Terrell; on More Heavy Soul! by, Maynard Parker sits in for Jones, and Buddy Terry is added on tenor sax), he was grittier and funkier than Charles was in the '60s, walking the line between mod-jazz and soul.

This Dutch blues band was formed in the Hague around 1967, becoming a regular outfit from 1969. The early line-up included Bjorn Toll (vocals), John Lagrand (harmonica), Ted Oberg (guitar), Ruud Fransen (bass) and Niek Dijkhuys (drums) but although the name remained wholesale changes soon took place, bringing in a new singer, Nicko Christiansen, and new bass and drums, Peter Kleinjan and Beer Klaasse, the latter pair being swiftly replaced by Gerard Strutbaum and Cesar Zuiderwijk, while keyboard player Henk Smitskamp was added…

“In the whole of pop, he’s the only man I can think of that has unnatural powers, who really knows what will hit and what won’t. He hardly misses. Under pressure, he wins out every time.” Nick Cohn