British Music

British Music and the French Revolution  eBooks & eLearning

Posted by insetes at April 19, 2023
British Music and the French Revolution

British Music and the French Revolution By Paul F. Rice
2010 | 399 Pages | ISBN: 1443821101 | PDF | 3 MB
British Music, Musicians and Institutions, c. 1630-1800: Essays in Honour of Harry Diack Johnstone

Peter Lynan, "British Music, Musicians and Institutions, c. 1630-1800: Essays in Honour of Harry Diack Johnstone "
English | ISBN: 1783276479 | 2021 | 316 pages | PDF | 25 MB

British Music after Britten  eBooks & eLearning

Posted by ksveta6 at Oct. 11, 2022
British Music after Britten

British Music after Britten (Aldeburgh Studies in Music, 14) by Arnold Whittall
2020 | ISBN: 1783274972 | English | 352 pages | PDF | 36 MB
Power To The People: British Music Videos 1966-2016 (2018) [6 x DVD-9]

Power To The People: British Music Videos 1966-2016 (2018)
6xDVD-9: PAL 4:3 (720x576) VBR | Dolby AC3, 2 ch
Rock, Pop | 02:13:51+02:22:26+02:15:39+02:32:30+03:12:22+02:25:03 | ~ 43.15 Gb

This collection of 200 of the most influential music videos in Britain 1966 to 2016 is the result of a three-year University research project run in partnership with the British Film Institute and the British Library. The collection has been put together by a team of researchers in collaboration with a panel of over one hundred directors, producers, cinematographers, editors, choreographers, colourists and video commissioners from the business. Each video has been selected because it represents a landmark in music video history - a new genre, film technique, post-production method, distribution channel, or other landmark…
Lutyens, Maconchy, Williams and Twentieth-Century British Music: A Blest Trio of Sirens

Lutyens, Maconchy, Williams and Twentieth-Century British Music: A Blest Trio of Sirens By Rhiannon Mathias
2012 | 311 Pages | ISBN: 0754650197 | PDF | 3 MB
Südwestdeutsches Kammerorchester Pforzheim - British Music for Strings, Vol. 3 (2021)

Südwestdeutsches Kammerorchester Pforzheim - British Music for Strings, Vol. 3 (2021)
FLAC tracks | 63:45 | 308 Mb
Genre: Classical / Label: CPO

Vol. 3 in our successful series with "Music for Strings by British Composers" features works by four important women composers, some of whom initially were underappreciated and whose music only later was performed again and received proper recognition. However, the period from 1893 to 1934 was still an extremely favorable time for British women composers who wanted to present their works on their country’s concert stages in as much as they could count on support principally from Sir Henry Wood at the Prom's and Dan Godfrey in Bournemouth

Youth and Permissive Social Change in British Music Papers, 1967–1983  eBooks & eLearning

Posted by step778 at Nov. 5, 2020
Youth and Permissive Social Change in British Music Papers, 1967–1983

Patrick Glen, "Youth and Permissive Social Change in British Music Papers, 1967–1983"
English | 2019 | pages: 256 | ISBN: 3319916734 | PDF | 2,3 mb
Douglas Bostock, Südwestdeutsches Kammerorchester Pforzheim - British Music for Strings I (2021)

Douglas Bostock, Südwestdeutsches Kammerorchester Pforzheim - British Music for Strings I (2021)
FLAC tracks | 01:10:56 | 326 Mb
Genre: Classical / Label: CPO

Our first release featuring music for string orchestra by British composers presents works by Hubert Parry, Edward Elgar, and Gordon Jacob. The last-mentioned composer wrote a Symphony for Strings with clear contrapuntal textures and a slow introduction beginning with broadly striding octaves and dissonant sixteenth contrasts. Parry demonstrates his sovereign command of a whole range of different techniques and textures in his First Suite for String Orchestra and succeeds in producing a full, one-of-a-kind sound: Very British, indeed!Edward Elgar’s Organ Sonata represents a special case on this album, where it is heard in the version for string orchestra by Hans Kunstovny. Some authors even earlier spoke of the sonata as a “thwarted symphony” because of its structure and design. The premiere of Kunstovny’s Elgar arrangement was held in Pforzheim in October 2006 under Sebastian Tewinkel before Douglas Bostock included it in his program in January 2020. The present recording was produced following this concert. Kunstovny, who assigned the subtitle “Swinnerton’s Dream” to his arrangement, was also present; it refers to the organist and choral conductor Charles Swinnerton Heap, the sonata’s dedicatee, who lent his support to Elgar’s works during the last decade of the nineteenth century.
Sir John Barbirolli - British Music. Elgar, Vaughan Williams, Delius, Purcell (2024)

Sir John Barbirolli - British Music. Elgar, Vaughan Williams, Delius, Purcell (2024)
WEB FLAC (tracks) - 1,19 Gb | MP3 CBR 320 kbps - 624 Mb | 04:29:11
Classical | Label: Warner Classics

Born in London of Italian-French parents, Sir John Barbirolli (1899–1970) trained as a cellist and played in theatre and café orchestras before joining the Queen’s Hall Orchestra under Sir Henry Wood in 1916. His conducting career began with the formation of his own orchestra in 1924, and between 1926 and 1933 he was active as an opera conductor at Covent Garden and elsewhere. Orchestral appointments followed: the Scottish Orchestra (1933–36), the New York Philharmonic (1936–42), the Hallé Orchestra (1943–70) and the Houston Symphony (1961–67). Barbirolli guest conducted many of the world’s leading orchestras and was especially admired as an interpreter of the music of Mahler, Sibelius, Elgar, Vaughan Williams, Delius, Puccini and Verdi. He made many outstanding recordings, including the complete Brahms and Sibelius symphonies, as well as operas by Verdi and Puccini and much English repertoire.
Helen Callus, New Zealand Symphony Orchestra & Marc Decio Taddei - British Music for Viola Concertos (2018)

Helen Callus, New Zealand Symphony Orchestra & Marc Decio Taddei - British Music for Viola Concertos (2018)
WEB FLAC (tracks) - 334 Mb | MP3 CBR 320 kbps - 179 Mb | 01:18:09
Classical | Label: Naxos Records

The ‘warm voice’ of the viola has long been associated with pioneering British performers such as Lionel Tertis, for whom Vaughan Williams wrote his tuneful and elegantly crafted ‘Suite.’ Tertis famously rejected the score of Walton’s ‘Viola Concerto,’ but instantly regretted his decision on hearing its lyrical warmth and piquant blend of delicacy and bite at the premiere performed by Paul Hindemith. Howells’s somber but noble ‘Elegy’ is a memorial for a student colleague killed in action during World War I. Hailed as “one of the world’s greatest violists” (American Record Guide), Helen Callus continues to captivate audiences with her lyrical tone, technical command, and profound artistry. She is a sought-after recitalist, chamber musician, and concerto soloists. She has performed with such world-class ensembles as the Tokyo and Juilliard String Quartets, the BBC Concert Orchestra, and delighted audiences across the world. She is an award-winning recording artist and her seven releases have been met with the highest critical acclaim.