In Brooklyn, amid drug deals, violence, casual racism, poverty, housing projects, and corrupt cops, we follow three officers: Tango, African-American, working undercover, believing he's earned a promotion to a desk job but told he has to set up the bust of an ex-con who saved his life; Sal, who'll commit murder to get cash to buy a house big enough for his family; and, Eddie, the precinct's oldest beat cop, a week to go before retirement, assigned to mentor an earnest rookie. Can this end well for any of the three?
In Brooklyn, amid drug deals, violence, casual racism, poverty, housing projects, and corrupt cops, we follow three officers: Tango, African-American, working undercover, believing he's earned a promotion to a desk job but told he has to set up the bust of an ex-con who saved his life; Sal, who'll commit murder to get cash to buy a house big enough for his family; and, Eddie, the precinct's oldest beat cop, a week to go before retirement, assigned to mentor an earnest rookie. Can this end well for any of the three?
Five CD sets containing 100 classic tracks by legendary artists, one of the biggest selling and best remembered musical icons of all time.
This obscure folk-rock artist from the late '60s left a track record of a few albums and a handful of obscure single releases, including the languid "Lyanna" and the demanding "Don't Leave Me Now." Campbell first came to prominence as a singer/songwriter on the folk club scene. He signed a contract with the interesting Fontana label, which released much cutting edge folk-rock and psychedelic music. He recorded one album and three singles for them before switching dizzily to the Vertigo label. The resulting album took a proud place in this label's catalog, right between the largely forgotten Dr. Strangely Strange and the grandly remembered Paranoid by Black Sabbath. It was definitely Campbell's most famous album, entitled Half Baked with just a note of derision. The album's title track is in turn the most well-known cut by this artist.