We would like to pay homage to one of the greatest and most infamous guitarists Bruce Langhorne. His music has influenced and touched a lot of lives over the years, either through his soundtrack work with Peter Fonda or his studio work in the 1960’s as the go to hired hand for musicians such as Bob Dylan, Joan Baez, Richie Havens, Odetta… and many others. If his name is new to you I suggest browsing his wikipedia page to acquaint yourself with the volume of work he accomplished throughout the 50’s, 60’s and 70’s. Scissor Tail Editions was lucky enough to release Bruce’s score to Peter Fonda’s 1971 anti-western “The Hired Hand”on vinyl in 2012.
After the success with critics and audiences of Ivanhoé (CDS 397/1-2), here is a new collaboration between Dynamic and the Valle d’Itria Festival to the publication of another Rossinian pastiche: Robert Bruce, first staged at the Paris Opera in 1846. The most interesting aspect of Robert Bruce was that Rossini, having left his retreat, decided to borrow material especially from La Donna del Lago, a contradictory work to which, thanks to the additions from other scores, he seemed to give a new equilibrium and a second chance. But it would be incorrect to say that Robert Bruce is an adaptation of that opera: in it we find passages from Zelmira, Mosé, Torvaldo e Dorlinska, Maometto II and Armida, skilfully put together by the composer Louis Niedermeyer.
At the Crossroads, saxophonist James Carter's third disc for the Emarcy, is the first for the label with his Organ Trio, which has been together since 2004. Produced by Michael Cuscuna, it's an indelible portrait of Detroit's historic jazz scene, envisioned in the present while looking ahead. All trio members – Carter, organist Gerard Gibbs, and drummer Leonard King, Jr. – either reside or come from there. This disc also showcases Carter's development from his earliest days shedding in the Motor City to his current status as a jazz virtuoso.