Accardo's performances are nothing short of spectacular, and (the late) Kurt Masur and the Gewandhaus's performances never disappoint. Most classical audiophiles may be familiar only with Bruch's first violin concerto and the "Scottish Fantasy," but there are two more wonderful violin concertos, a Romance, a Konzertstuck, a Serenade, a piece entitled "Adagio Appassionato" and a piece that was new to me, "In Memoriam," a very beautiful and moving composition that is the last band on the last record.
Accardo's performances are nothing short of spectacular, and (the late) Kurt Masur and the Gewandhaus's performances never disappoint. Most classical audiophiles may be familiar only with Bruch's first violin concerto and the "Scottish Fantasy," but there are two more wonderful violin concertos, a Romance, a Konzertstuck, a Serenade, a piece entitled "Adagio Appassionato" and a piece that was new to me, "In Memoriam," a very beautiful and moving composition that is the last band on the last record.
"…First of all, Bruch's music is totally great; there's not a dull moment anywhere in Arminius. It is rousing, heroic, compelling, and follows a libretto that makes strong dramatic hay of its distant historical event in musical terms that certainly would have caused the sun to shine for its intended audience. The orchestration is thrilling, the choral writing bountiful, and the soloists here put over their parts in an effective way without overdoing it. Max of course is best known for conducting Baroque music, but in this two-disc set Max decisively puts his best foot forward…" ~allmusicguide