Bruno Forzani

An animated adventure about a young girl who seeks out her father in order to help save her troubled mother.

Federico Fellini returned to the provincial landscape of his childhood with this carnivalesque reminiscence, recreating his hometown of Rimini in Cinecittà’s studios and rendering its daily life as a circus of social rituals, adolescent desires, male fantasies, and political subterfuge. Sketching a gallery of warmly observed comic caricatures, Fellini affectionately evokes a vanished world haloed with the glow of memory, even as he sends up authority figures representing church and state, satirizing a country stultified by Fascism. Winner of Fellini’s fourth Academy Award for best foreign-language film, Amarcord remains one of the director’s best-loved creations, beautifully weaving together Giuseppe Rottuno’s colorful cinematography, Danilo Donati’s extravagant costumes and sets, and Nino Rota’s nostalgia-tinged score.

Bruno (Daniel Auteuil), journaliste communiste embrouillé dans ses idées, écrit les discours politiques de Gérard. Il se glisse dans une vie dissolue, entre une épouse et trois maîtresses : Gaëlle, Nathalie, puis Béatrice et Mathilde. La tête lui tourne jusqu'à perdre l'équilibre, la raison, la vie presque.

Bruno, a sadistic criminal, wants clever con man Leo out of the way. Leo and his equally clever wife, Lily, are up to something. So too is Julius: he hires Leo to kill Gloria.

Isabella è un'ex popstar dei primi anni Novanta mentre Bruno è il chitarrista che la accompagna. Sono grandi amici e partner sulla scena, ma sono anche madre e figlio, uniti da una relazione simbiotica, che pare inattaccabile e rappresenta una gabbia dorata in cui sono chiusi da sempre. Arriva però il momento in cui quella gabbia appare troppo stretta.

Bruno et Fabienne sont architectes, s’aiment et travaillent ensemble. Pourtant, ce jour là, alors qu’ils sont en attente de la réponse du premier marché d’Etat pour lequel ils ont postulé, tout va basculer sous l’effet de la pression qui les anime. Ils vont l’un et l’autre déraper, chacun de leur côté, chacun à leur manière et se retrouver dans des situations délibérément féroces, tour à tour drôles et tendres, qui flirtent avec le danger et le désir, et les amènent à oublier toute convention…

A social movie about current life in the north of France. Freddy and his friends are all unemployed. They pass away time by wandering around on their motorcycles and by directing their aggressive feelings towards Arab immigrants. Freddy is in love with Marie, a cashier at a local supermarket. When she is proposed to by Kader, a young Arab man, Freddy and his friends have an idea: they decide to punish Kader for what they call "such a provocation." After they have raped another girl, Marie finally commits to Kader, which seals his fate.

Bruno s'évade enfin, après quinze ans derrière les barreaux, dont quatre de Q.H.S. Il était le bras le plus armé du bras armé de la révolution prolétarienne. Hélas, le prolétariat n'a pas suivi, l'avant-garde se retrouve souvent seule. S'il s'est évadé, c'est pour continuer la lutte, faire sortir ses camarades de prison, libérer les masses de leurs chaînes, encore et toujours. Si en quinze ans Bruno n'a pas changé, le monde oui…