Buck & Bud

Various Artists - The Bakersfield Sound - Country Music Capital Of The West 1940-1974 (2019) {10CD Set Bear Family BCD16036}
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© 1940-74, 2019 Bear Family Records | BCD 16036
Country / Traditional Country / Bakersfield Sound / Honky Tonk

Buck Owens turned Bakersfield, California into the epicenter of hip country music in the mid-'60s. All it took was a remarkable streak of number one singles that steam rolled right through Nashville with their electrified twang, forever changing the notion of what constituted country music and codifying the Bakersfield sound as hard-driving rhythms, trebly Telecasters, and lean arrangements suited for honky tonks, beer joints, and jukeboxes all across America. Half-a-century later, these remain sonic signifiers of Bakersfield, so the term no longer conveys a specific sound, place, and era, a situation the weighty Bear Family box The Bakersfield Sound: Country Music Capital of the West 1940-1974 intends to rectify.

Joe Bushkin - Three Classic Albums Plus (2013) {2CD Avid Jazz AMSC1097}
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© 2013 Avid Jazz | AMSC1097
Jazz / Traditional Jazz / Piano

AVID Jazz here presents three classic Joe Bushkin albums plus, including original LP liner notes on a finely re-mastered and low priced double CD. 'After Hours'; 'Piano Moods'; 'Brad Gowans and his New York Nine' plus radio transcriptions, plus three tracks from 'The Jazz Keyboards' plus several tracks from the 78 era. Joe Bushkin plays jazz from the old school having come up in the late thirties where he began playing at the Famous Door on 52nd Street, New York before going on to play with the likes of Bunny Berigan, Muggsy Spanier, Eddie Condon, Bud Freeman, Tommy Dorsey and Louis Armstrong to name but a few greats! Across our selections Joe can be heard playing with the likes of Barney Kessel, Harry Babasin, Buck Clayton, Jo Jones, Sid Weiss and Morey Feld. All three albums plus have been digitally re-mastered.

The archive contains of 3179 tracks from 1899 until 1956 on 168 CDs and 2 books with 180 pages of artist biographies each. High-End mastered at 24-bit and 96 kHz.
The Archive is split into 42 Sets x 4xCD. Each CD is untitled and dedicated to one musician, who mostly appears in different collaborations.

Jimmy Rushing - Cat Meets Chick & The Jazz Odyssey of Jimmy Rushing Esq. (1956) {Columbia–Collectables COL-CD-7496 rel 2002}
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© 1955-56, 2002 Columbia / Collectables Records / Sony Music | COL-CD-7496
Jazz / Vocal Jazz / Jazz Blues

Jimmy Rushing's first two Columbia Records albums, recorded in 1955 and 1956 and originally released in 1956 and 1957, both have concepts behind them. Cat Meets Chick is actually co-billed to Ada Moore (who had just made her Broadway debut in House of Flowers) and trumpeter Buck Clayton, and it is "a story in jazz," the story being Rushing and Clayton's attempts to woo Moore in song. The plot is silly, but it's just an excuse to have Rushing, sometimes joined by the pleasant alto of Moore, fronting Clayton's Count Basie-style orchestra on some old favorites.

The archive contains of 3179 tracks from 1899 until 1956 on 168 CDs and 2 books with 180 pages of artist biographies each. High-End mastered at 24-bit and 96 kHz.
The Archive is split into 42 Sets x 4xCD. Each CD is untitled and dedicated to one musician, who mostly appears in different collaborations.

Thelonious Monk - The Complete Riverside Recordings (1988) {15CD Riverside Victor Japan VDJ-25010~24 rec 1955-1961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.97 Gb | MP3 @320 -> 2.24 Gb
Full Artwork @ 600 dpi (png) -> 1.71 Gb | 5% repair rar
© 1955-61, 1988 Riverside / Fantasy / Victor Japan | VDJ-25010~24
Jazz / Bop / Hard Bop / Piano

The studio and live recording sessions that Thelonious Monk cut during his six-year stay at the Riverside label are compiled over the 15 discs in the Complete Riverside Recordings. This middle era – between his early sides for Prestige and the final ones for Columbia – is generally considered Monk's most ingenious and creative period. The sessions are presented in chronological order, accurately charting the progression and diversions of one of the most genuinely enigmatic figures in popular music. The Complete Riverside Recordings explores Monk's genius with a certain degree of real-time analysis that simply listening to each of the individual albums from this era lacks.

Shorty Rogers - Courts The Count (1954) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4272}
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© 1954, 2014 RCA / Sony Music Japan | SICP 4272 | Mono
Jazz / Cool / West Coast Jazz / Trumpet

Reissue with latest remastering. Comes with liner notes. Shorty Rogers courts Count Basie – but he does so in a way that's definitely all his own! The material may have Basie roots, but the overall execution is Shorty at his early 50s best – in a way that makes the album one of his strongest for RCA at the time – and that's saying a heck of a lot, given the great run of records! The lineup is filled with well-chosen players who fall together wonderfully under Shorty's leadership – Buck Clayton, Pete Candoli, and Harry Edison on trumpets – and reed work from Jimmy Giuffre, Bob Cooper, and Bud Shank. The set swings with all the power of the Basie band, yet has all the wonderful arrangements we love from Rogers – and titles include "Basie Eyes", "Doggin Around", "Jump For Me", "Over & Out", and "Walk, Don't Run".