Bud Spencerterence Hill

This album features trio performances by pianist Bud Powell, bassist Charles Mingus and drummer Roy Haynes that were recorded live at a Washington D.C. club; they were released for the first time in 1982. Powell is in consistently exciting form (this was one of his good nights) and the musicians sound inspired and creative during the set of bop-oriented standards. This recording concludes with a couple of excerpts from Bud Powell interviews held in 1963, giving listeners a rare chance to hear his voice.

Bud Powell - The Genius of Bud Powell (1951) {Verve 827 901-2 rel 1988}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 167 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 300 dpi (jpg) -> 19 Mb | 5% repair rar
© 1950-51, 1988 Verve / PolyGram | 827 901-2
Jazz / Bop / Piano

In 1951, Bud Powell was still at the height of his considerable powers. Included here are two sessions from that year: a trio with Ray Brown and Buddy Rich (three takes of "Tea for Two" and a super-fast "Hallelujah") and eight solo piano tunes from a different date. On "Tea for Two," Rich's drumming brings out the charming show-off in Powell, and on "Hallelujah," Powell plays with a hysterical clarity. "Oblivion" and "Hallucinations" are the most masterful of the eight solo cuts. Here Powell swings effortlessly and seems to be speaking his own, true language. The elegance of another era pervades the Gershwin-esque "Parisian Thoroughfare" and "Dusk in Sandi." And one can imagine a young Bill Evans listening to "A Nightingale Sang in Berkeley Square" and taking note of the rich, logical voicings coupled with a wonderful singing tone.

Not released until 1979, and then under tenor saxophonist Don Byas' name, this 1997 CD reissue has pianist Bud Powell listed first as a co-leader with Byas. In any case, the music (produced by Cannonball Adderley, but certainly not a tribute to him) features Byas and Powell in a quintet with trumpeter Idrees Sulieman, bassist Pierre Michelot and drummer Kenny Clarke.

This album features trio performances by pianist Bud Powell, bassist Charles Mingus and drummer Roy Haynes that were recorded live at a Washington D.C. club; they were released for the first time in 1982. Powell is in consistently exciting form (this was one of his good nights) and the musicians sound inspired and creative during the set of bop-oriented standards. This recording concludes with a couple of excerpts from Bud Powell interviews held in 1963, giving listeners a rare chance to hear his voice.

The Dive Bar Tour, sponsored by Bud Light, is a promotional tour by American singer Lady Gaga, in support of her fifth studio album Joanne (2016)…

Bud Powell - The Scene Changes (1958) {Blue Note, CP32-5207, Japan Early Press}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 247 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 300 dpi (png) -> 38 Mb | 5% repair rar
© 1958, 1986 Blue Note / Toshiba-EMI | CP32-5207
Jazz / Bop / Piano

Bud Powell was unquestionably a major talent. Sadly, he was also unquestionably mad. The legend of the tortured, tragic jazz genius exists because of people like Charlie Parker and Bud Powell. Both are bebop legends, among the greatest of the greats, founding fathers of the genre. Both were brought down by drugs and mental illness—Parker at 34, Powell at 41.

One of the giants of the jazz piano, Bud Powell changed the way that virtually all post-swing pianists play their instruments. He did away with the left-hand striding that had been considered essential earlier and used his left hand to state chords on an irregular basis. His right often played speedy single-note lines, essentially transforming Charlie Parker's vocabulary to the piano (although he developed parallel to "Bird")…