Bunte Nr.33, 11 August 2016 Pdf

The complete harpsichord works by Clerambault and Marchand on one CD! LouisNicholas Clerambault and Louis Marchand are typical representatives of the French harpsichord style, flourishing in the first half of the 18th century. Their Suites (multi movement sequels of dance forms) are grand, stately, rhythmically free and featuring lavish embellishments, all in perfect accordance with the courtly life at Versailles, the palace of Sun King Louis the XIV.

Hailing from Genova, Italy, Garybaldi were, in the seventies, the outlet for Pier Niccolò "Bambi" Fossati's guitar wanking. A devout disciple of Hendrix, Bambi Fossati had enough sense to employ creative and intelligent musicians who helped balance Fossat's psych hard leanings with sensitive Italian melodicity and good technique, ensuring that their "Nuda" LP from 1972 was a minor classic of early spaghetti prog…

The album series "Die Einlassmusik" from Schiller started in 2004. The music is exclusively composed for the regular live tours from Schiller and is played there as pre-show introduction to make the waiting time for the audience more pleasant. All albums are (officially) only sold at the merchandising area of each concert and the online Schiller Shop.

Norwegian bassist Mats Eilertsen has been a strong and supportive presence on a dozen ECM sessions to date. With Rubicon he steps forward to present his own music, with an international cast. The album features compositions originally written in response to a commission from the Vossajazz Festival. All About Jazz reviewed the premiere performance: "Rubicon proved to be a very dynamic work. Eilertsen ensured that each of the instrumentalists took their share of the spotlight, brought together combinations of players that emphasized tonal variation, and created ensemble sections bursting with life." After fine-tuning the material on tour, Mats brought his septet to Oslo's Rainbow Studio, where Manfred Eicher produced this definitive version of Rubicon in May 2015.

Atomic Rooster experienced several lineup changes during their initial tenure in the early '70s, with Nice 'n' Greasy being the band's last before disbanding. By this time the band's musical direction had shifted from hard rock and progressive rock to a style more closely resembling blues/funk…