The subjects of death and betrayal permeate this understandably dark album. Opening with the Nick Lowe chestnut "Endless Sleep" as a slow acoustic blues, this unpredictable guitar un-star also sings about "Sonora's Death Row" and offers the opinion that "Everybody Lies." His always problematic singing assumes a prominent role, which might not be the best strategy. He showcases his string wizardry on "A Dull Thud" and several other instrumentals.
Sean Croghan's amazing first solo offering is a desolate, razor-burned troubadour's record loaded with confessional angst both real and artistic, a few full revolutions from the music he made with Crackerbash and Jr. High. His outpouring of woeful emotion runs the gamut, from an almost whimsical kind of feigned misery ("Gweneveire") to the adamant, resentful sort that sounds genuinely hurt. By mixing up the approach, the tenor of the album never seems like too much or too little of a painful thing. It isn't strictly an open wound, although there's an element of that. But Croghan is also smart enough to know that, as messy as love may be, there is an element of silliness that comes with investing so much into a single venture.
After being put through the major-label ringer with the quirky pop/rock outfit Trip Shakespeare and his subsequent moonlighting in various Twin Cities bands as a drummer, Matt Wilson marked his return to the music world as a singer/songwriter with Burnt, White and Blue…