C Duncan – Architect

Lesley Duncan's debut album was a modestly engaging slice of early-'70s singer/songwriter rock, though not distinctive enough amidst a rapidly crowding field to command attention…

In this unique collection of instrumental bluegrass renditions of classic Disney songs, producer and fiddle player Craig Duncan has arranged a down-home twist on the Disney music canon. Duncan flips the tunes on their heads, creating fun bluegrass takes on gems from The Jungle Book, Beauty And The Beast, Toy Story, The Little Mermaid, Aladdin, Mary Poppins and more. Featuring some of the Bluegrass world's most accomplished players including Wanda Vicks, David Spicher, and Zander Wyatt.

Duncan Browne's self-titled second album plays like a direct sequel to his debut long-player, Give Me Take You; he uses the same acoustic guitar and writes in a similar idiom, especially on tracks like "Country Song" and "The Martlet." Indeed, apart from the fact that it's generally better recorded, most of Duncan Browne could easily have slotted into the earlier album; the only exceptions are the more elaborately produced songs, such as "Ragged Rain Life," with its electric guitar sound, the keyboard-embellished "Babe Rainbow," and the bluesier, Dylan-esque "Journey," which was a substantial hit in England. Browne's style elsewhere on the record is unique unto himself, built around hauntingly beautiful melodies, mostly in a folk idiom, with some choice results, including the exquisite "Over the Reef" and "My Old Friends"…

William Baines is one of those exceptionally gifted composers whose music still remains little known to the general music-loving public.

Following the success of the Grammy award-winning album ‘The Goat Rodeo Sessions’, Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile return with their sensational new album ‘Not Our First Goat Rodeo’. ‘Not Our First Goat Rodeo’ combines the talents of the four solo artists, each a Grammy Award- winning talent in his own right, to create a singular sound that’s part composed, part improvised, and uniquely American. The music featured in this stunning album is so complex to pull off that the group likens it to a goat rodeo — an aviation term for a situation in which 100 things need to go right to avoid disaster. Both the first album and the new recording also feature the voice and artistry of singer-songwriter and fellow Grammy Award-winner Aoife O’Donovan, who joins the group as a guest on ‘Not Our First Goat Rodeo’.

First time CD reissue for 1972 CBS album by outstanding UK female singer-songwriter/backing vocalist who sang on albums by Elton John, Pink Floyd, Tim Hardin and many others…

Duncan Mackay is a British composer, singer, arranger, and keyboard player who has recorded three solo albums. On this, his second solo album, has moved slightly away from the Keith Emerson imitations that permeated his first album. Slightly, because the Emerson sound still appears. On the first track, Witches, a somewhat Spanish sounding symphonic proc piece, Mackay plays Emerson-like riffs on a honky-tonk tack piano, similar in sound to keith's in Benny The Bouncer. Acousic piano appears throughout the album, with Mackay providing obvious Emerson-influenced sounds…

Some of the most Chicago-sounding bluesmen didn't grow up in the Windy City but rather were people who moved there after growing up in the Deep South. Muddy Waters, Willie Dixon, Bo Diddley, Jimmy Reed, Elmore James, and Howlin' Wolf are perfect examples; all of them were born in Mississippi, but ultimately, Chicago was the place that did the most to shape their musical identity. Despite their Mississippi roots, all of them became closely identified with electric Chicago blues instead of acoustic Mississippi country blues of the Son House/Robert Johnson/Charley Patton variety - and Little Arthur Duncan is another example of a Mississippi native who moved to the Windy City, was greatly influenced by Chess Records, and wholeheartedly embraced the electric blues of his adopted home…