Among the virtuosity warhorses in the piano repertory, the five concertos by Camille Saint-Saens have established an appealing reputation. The audiences worldwide are enchanted to attend performances by great virtuosos in utterly melodious and harmonic works with dazzling keyboard pyrotechnics and musical ideas of the most refined quality. Yet, a very few of the professional pianists dare to approach this pianistic output by one of the most prolific and multifaceted artists of the European culture (composer, playwright, philosopher, astronomer, archaeologist, poet etc). To find the proper touch, to balance the wild virtuosity with the subtle musical concept, to get the deepest level of significance in these works – are all difficult tasks that require a high level of artistry (not only in pianistic terms).
Funerary Music of Carriacou Presented here are the magnificent Big Drum songs from Carriacou, Grenada, a font of African and European musical traditions. This is music for the ancestors, or “Old Parents,” performed at Tombstone Feasts held years after death and burial, when the body is finally entombed and the spirit of the departed may at last rest in peace. Caribbean Voyage Released for the first time, Alan Lomax’s legendary 1962 recordings of the rich and many-stranded musical traditions of the Lesser Antilles and eastern Caribbean: work songs, pass-play and story songs, calypso, East Indian chaupai, and steel band music, reflecting the Central and West African, French, English, Celtic, Spanish and East Indian contributions to Caribbean culture. The Alan Lomax Collection The Alan Lomax Collection gathers together the American, European and Caribbean field recordings, world music compilations, and ballad operas of writer, folklorist, and ethnomusicologist Alan Lomax.
Rudolf Moralt (26 February 1902 – 16 December 1958) was a German conductor, particularly associated with Mozart and the German repertory. Born in Munich, he studied there with Walter Courvoisier and August Schmid-Lindner, and was engaged as a répétiteur at the Munich State Opera under Bruno Walter and Hans Knappertsbusch from 1919 until 1923. He was conductor at the opera house of Kaiserslautern (1923–28) and musical director of the opera house in Brno (1932–34). He also worked in Braunschweig and Graz before being appointed chief conductor at the Vienna State Opera in 1940 until his death. In 1942 he made a series of renowned recordings conducting the orchestra of the State Opera with the Austrian soprano Maria Reining.