C.& e European Legal Mater. Sup.2 Rel.4

By Alan Dashwood, Angela Ward, John Spencer, Christophe Hillion, "The Cambridge Yearbook of European Legal Studies"

By Alan Dashwood, Angela Ward, John Spencer, Christophe Hillion, «The Cambridge Yearbook of European Legal Studies»
Hart Publishing | ISBN: 1841132403 | 2001-06 | PDF | 500 pages | 32,1 Mb


The Cambridge Yearbook of European Legal Studies provides a forum for the scrutiny of significant issues in European Union Law, the Law of the Council of Europe, and Comparative Law with a "European" dimension, and particularly those which have come to the fore during the year preceding publication. The contributions appearing in the collection are commissioned by the Centre for European Legal Studies (CELS) Cambridge, which is the research Centre of Cambridge University Law Faculty specialising in European legal issues.

Clifford Jordan - Bearcat (1962) {Jazzland OJCCD-494-2 rel 1990}  Music

Posted by ruskaval at July 15, 2019
Clifford Jordan - Bearcat (1962) {Jazzland OJCCD-494-2 rel 1990}

Clifford Jordan - Bearcat (1962) {Jazzland OJCCD-494-2 rel 1990}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 243 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1961-62, 1990 Jazzland Records / Fantasy | OJCCD-494-2
Jazz / Hard Bop / Saxophone

This CD is a straight reissue of the original Jazzland LP. Tenor saxophonist Clifford Jordan, who is joined by pianist Cedar Walton, bassist Teddy Smith and drummer J.C. Moses, is heard in his early prime and displays an original tone while playing in the hard bop style. He stretches out on five of his swinging and fairly advanced originals, "How Deep Is the Ocean," and Tom McIntosh's "Malice Towards None." It would be 1973 before Jordan had another opportunity to be showcased in a quartet format, making this formerly rare set one of his best all-around recordings.
Dexter Gordon - The Resurgence Of Dexter Gordon (1960) {Jazzland OJCCD-929-2 rel 1997}

Dexter Gordon - The Resurgence Of Dexter Gordon (1960) {Jazzland OJCCD-929-2 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 248 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 300 dpi (jpg) -> 7 Mb | 5% repair rar
© 1960, 1997 Jazzland / Fantasy | OJCCD-929-2
Jazz / Bop / Saxophone

A play and an alto saxophonist pulled Dexter Gordon out of West Coast obscurity in 1960 and helped revive the bebop pioneer's career. The play was The Connection, which included a performing jazz band in its cast and inspired a classic original score from Freddie Redd as well as subsequent compositions by Kenny Drew, Cecil Payne, and Cecil Taylor. Gordon was the play's musical director in his hometown of Los Angeles, and some of Gordon's score is documented here. Cannonball Adderley produced the session (and many others for Riverside/Jazzland at the time).
Duke Ellington - Duke Ellington and His Orchestra featuring Paul Gonsalves (1962) {Fantasy OJCCD-623-2 rel 1991}

Duke Ellington - Duke Ellington and His Orchestra featuring Paul Gonsalves (1962) {Fantasy OJCCD-623-2 rel 1991}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 196 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 1962, 1991 Fantasy Records | OJCCD-623-2 / 00025218662321
Jazz / Big Band / Bop / Piano / Tenor Saxophone

Tenor saxophonist Paul Gonsalves will be remembered by many for his riotous 27 choruses on the Newport recording of "Diminuendo in Blue and Crescendo in Blue." As with other prime Ellington soloists like Johnny Hodges and Harry Carney, Gonsalves was given ample room to display his wares live and in the studio. Duke's faith in Gonsalves was certainly made clear at Newport and is proven again on this very enjoyable showcase. Unbeknownst to Gonsalves, though, Ellington planned the session as a vehicle for his soloist's considerable skills.
Caetano Veloso - Cores, Nomes (1982) {Philips 838 464-2 rel 1989}

Caetano Veloso - Cores, Nomes (1982) {Philips 838 464-2 rel 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 256 Mb | MP3 @320 -> 105 Mb
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© 1982, 1989 Philips / PolyGram Brasil | 838 464-2
Jazz / Brazilian Jazz / Música popular brasileira / Brazilian Traditions / Brazilian Pop

An album of pure, crystalline beauty. Very peaceful, though there are some up-tempo tracks like Ele Me Deu Um Beijo Na Boca (a very curious one with interesting lyrics) and Sina, with a reggae flavour. But what I liked best are the slow romantic songs. Queixa, Coqueiro de Itapoa, Sete Mil Vezes, Sonhos - all of them have their very special depth of sentiment, very unique charm… but the best one is definitely Trem das Cores.
Charlie Parker - Bird's Eyes: Last Unissued, Vol. 12 (1949-1950) {Philology W 842.2 rel 1999}

Charlie Parker - Bird's Eyes: Last Unissued, Vol. 12 (1949-1950) {Philology W 842.2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 353 Mb | MP3 @320 -> 171 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 1949-1950, 1999 Philology | W 842.2
Jazz / Bop / Bebop / Saxophone

Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.
Charlie Parker - Bird's Eyes: Last Unissued, Vol. 13 (1948, 1956) {Philology W 843.2 rel 1999}

Charlie Parker - Bird's Eyes: Last Unissued, Vol. 13 (1948, 1956) {Philology W 843.2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 301 Mb | MP3 @320 -> 158 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1948, 1956, 1999 Philology | W 843.2
Jazz / Bop / Bebop / Big Band / Saxophone

Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.
Charlie Parker - Bird's Eyes: Last Unissued, Vol. 25 (1950, 1953) {Philology W 855.2 rel 1999}

Charlie Parker - Bird's Eyes: Last Unissued, Vol. 25 (1950, 1953) {Philology W 855.2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 348 Mb | MP3 @320 -> 180 Mb
Full Artwork @ 300 dpi (jpg) -> 19 Mb | 5% repair rar
© 1950, 1953, 1999 Philology | W 855.2
Jazz / Bop / Bebop / Saxophone

Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.
Charlie Parker - Bird's Eyes: Last Unissued, Vol. 21 (1949-1953) {Philology W 851.2 rel 1999}

Charlie Parker - Bird's Eyes: Last Unissued, Vol. 21 (1949-1953) {Philology W 851.2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 279 Mb | MP3 @320 -> 184 Mb
Full Artwork @ 300 dpi (jpg) -> 32 Mb | 5% repair rar
© 1949-1953, 1999 Philology | W 851.2
Jazz / Bop / Bebop / Saxophone

Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.
Charlie Parker - Bird's Eyes: Last Unissued, Vol. 20 (1949-1953) {Philology W 850.2 rel 1999}

Charlie Parker - Bird's Eyes: Last Unissued, Vol. 20 (1949-1953) {Philology W 850.2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 364 Mb | MP3 @320 -> 180 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1949-1953, 1999 Philology | W 850.2
Jazz / Bop / Bebop / Saxophone

Charlie Parker was a legendary Grammy Award–winning jazz saxophonist who, with Dizzy Gillespie, invented the musical style called bop or bebop. Charlie Parker was born on August 29, 1920, in Kansas City, Kansas. From 1935 to 1939, he played the Missouri nightclub scene with local jazz and blues bands. In 1945 he led his own group while performing with Dizzy Gillespie on the side. Together they invented bebop. In 1949, Parker made his European debut, giving his last performance several years later. He died a week later on March 12, 1955, in New York City.