This is a live recording of Anita O'Day in her mature stage, where you can enjoy her favorite standard numbers. The ending song, "Tea for Two," a recreation of the movie "A Midsummer Night's Dream," is a must-listen.
This is a live recording of Anita O'Day in her mature stage, where you can enjoy her favorite standard numbers. The ending song, "Tea for Two," a recreation of the movie "A Midsummer Night's Dream," is a must-listen.
This three-album retrospective of bassist Eberhard Weber’s group, Colours, recorded between 1975 and 1980, is striking musically, historically, culturally, and creatively. As American and British jazz musicians were employing electric instruments to create edgier, funkier, and more stridently knotty music, many Northern Europeans were exploring an entirely different sonic universe: creating another pathway in jazz. Weber's work would help to define the ECM imprint's sound. Weber founded Colours in 1974 with saxophonist and multi-instrumentalist Charlie Mariano, keyboardist Rainer Bruninghaus, and drummer Jon Christensen - to be replaced in by John Marshall in 1977. Its 1975 debut, Yellow Fields, put painterly touches into a sonic kaleidescope that explored tonal and harmonic realms with acute compositional and improvisational attention to the space that surrounded jazz…
In 1975, Humble Pie came sputtering to a halt after a series of less than inspiring albums. Surprisingly, frontman Steve Marriott's first solo album after the split, 1976's Marriott, is a sprightly, rollicking affair that is light on the blues-rock of Humble Pie and heavy on soul, funk, and hard-charging rock & roll…
Local New Jersey demo-release (200 made in 1971) from Victoria, a band and album beyond rare, fantastic, conceptual psych-beauty. Sometimes dreamy, sometimes totally wild underground-psych, this release features female vocals, titanic horns and distorted guitars. Sweet tunes turn into dark psych-power. Totally stoned. This amazing album was first released on the Seven Little Indians label (before it became Shadoks Music) in 1998 as a limited-edition with a red velvet cover and golden engraved artwork. A 500-copy limited-edition CD, also in red velvet, was sold out in a few months.