C.j. Beaumont

Entre ces deux grands fauves, c'est une bataille feutrée pour savoir qui récupérera le leadership de la droite et tirera demain les ficelles du pays. Lequel dominera l'autre ?

Collection of audio documents of paranormal phenomena including trance speech, direct voices, clairvoyance, xenoglossy, glossolia including ethnological material, paranormal music, "rappings" and other poltergeist manifestations as well as so-called "Electronic voice phenomena". This 3cd boxset is a fantastical document of parapsychological research throughout the 20th Century, with recordings of purported demonic possession, glossolalia, precognition, poltergeists, and the already well documented Electric Voice Phenomenon. The latter had been the subject of research by noted parapsychologists Raymond Cass and Freidrich Jurgensen, whose work was collected on several cds released on the Touch label, one of which was the AQ perennial favorite The Ghost Orchid.

Catherine Leduc est une artiste folk québécoise originaire de Trois-Rivières. Elle est notamment connue pour avoir été la moitié féminine du groupe Tricot Machine. Après avoir fait trois albums avec son camarade Matthieu Beaumont dans ce groupe, les deux, en 2012, ont décidé de se lancer en solo pour changer d’air un peu, ce qui fait que Catherine Leduc nous est arrivée avec un premier album solo nommé Rookie, le 8 avril 2014. Un peu plus de trois ans plus tard, le 26 mai dernier, elle nous arrive avec un deuxième album solo nommé Un bras de distance avec le soleil, aux influences folk très présentes.

It s Saturday Night!, an exciting collection of rockabilly recordings from the same label. Starday Records was launched in Beaumont, Texas, in the early 1950s, with perfect timing to catch the first wave of the rockabilly tsunami that would sweep the Southern states of America between 1954 and 1958…and the Texas teenagers with their distinctive cat music were just as ready to rock as those being captured by Sam Phillips at Sun Records in Tennessee. A cult label for rockabilly collectors worldwide - if not the holy grail of all rockabilly record labels - Starday embraced the new teenage music enthusiastically, introducing the likes of Sonny Fisher and Sleepy LaBeef, as well as revitalising the careers of veterans such as Link Davis, Bill Mack and Leon Payne. In addition, household-names-in-waiting such as George Jones, Big Bopper and Link Wray would also cut their teeth with the little Texas label. Following the 1970s rockabilly revival, even more of these artists were to become internationally famous with their renown being directly attributable to their time with Starday/Dixie; Fisher, LaBeef, Rudy Grayzell, Glenn Barber and Joe Poovey, all enjoyed extended musical careers courtesy of their insatiable European fans, while those that were unable to tour became absent heroes whose 1950s recordings could still fill dance floors decades after they were laid down.