24bit digitally remastered release of Carmen Mcrae's performance at the Century Plaza Hotel in Los Angeles. The inimitable jazz vocalist Carmen McRae toplined this live set at the Los Angeles Century Plaza Hotel's Hong Kong Bar in late December 1968. The concert took place not long after McRae recorded two excellent, underrated LPs for Atlantic Records – Portrait of Carmen (1967) and Sound of Silence (1968). Atlantic set up and contractually licensed the rights to the Century Plaza show, but inexplicably waited years to do anything with the material, until label executive Nesuhi Ertegun finally produced a truncated version in 1975.
Reissue with latest 2014 DSD remastering. Comes with liner notes. Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza. An intimate live session from Duke Ellington and his great late 50s orchestra – presented here at a private party hosted by Columbia Records at the Plaza Hotel in New York – at a time when Ellington was making some of his best music for the label! The tracks here are every bit on a par with Duke's late 50s gems for Columbia – and have the orchestra stepping out strongly on short numbers that maybe have a bit more swing and a bit less overall concept – as the soloist shift, and shine nicely on each tune!
Reissue with the latest remastering. Comes with new liner notes. Jazz at the Plaza is a live album by Miles Davis. It was recorded in 1958 and released in 1973 by Columbia Records. A great lost live set – recorded in 1958 during that pivotal time when Miles was working with Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Philly Joe Jones. The whole thing's a great example of how the group could hold up the perfection of Kind Of Blue in a live setting – and the long tracks include "Straight, No Chaser", "If I Were A Bell", and "Oleo".
The Spanish tinge referred to by pianist Jelly Roll Morton has never been far from jazz, though serious attempts to fuse flamenco and jazz only began with saxophonist Pedro Iturralde and guitarist Paco de Lucia's collaboration Flamenco-Jazz (SABA, 1968). Tenor saxophonist Carlos Villoslada continues this tradition by bringing together jazz melodies and harmonies with flamenco rhythms and voice. For the most part, the music on this recording has a relaxed vibe, with the Cadiz-based quintet visiting soleas, bulerias, tientos and tanguilos with a quietly smoldering passion, led from the front by Villoslada's strong playing. Despite the absence of guitar the flavor of flamenco permeates these compositions, with vocalist Raul Gálvez supported by Diego Moatoya and Pedro de Chana on palmas, Dani Dominguez' striking, hybrid jazz-flamenco drumming, and veteran Brazilian percussionist, Rubem Dantas.
Baritonist Gerry Mulligan and a group of West Coast all-stars were heard throughout the soundtrack of the Susan Hayward movie I Want to Live. Although not a soundtrack, this LP features six themes from the movie (all composed by Johnny Mandel) performed by the same musicians, who this time around get an opportunity to really stretch out. Since the band is comprised of Mulligan, trumpeter Art Farmer, altoist Bud Shank, trombonist Frank Rossolino, pianist Pete Jolly, bassist Red Mitchell and drummer Shelly Manne, virtually all of the music is quite interesting with plenty of fine solos and hard-swinging.