Cdp 7 46641 2

Art Pepper - Modern Art - The Complete Art Pepper Aladdin Recordings, Vol. 2 (1957) { {Blue Note CDP 7 46848 2 rel 1988}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 381 Mb | MP3 @320 -> 157 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1957, 1988 Blue Note / EMI-Manhattan Records | CDP 7 46848 2
Jazz / Bop / Cool / West Coast Jazz / Saxophone

One of the greatest West Coast jazz LPs of all time! Art Pepper plays beautiful spiralling alto lines with a tight quartet that includes Russ Freeman on piano, Chuck Flores on drums, and Ben Tucker on bass. The whole thing swings in a way that's tough to find on some of Pepper's other albums from the time, and the track list includes "Dianne's Dilemma", "Blues In", "Blues Out", and "Cool Bunny".

Dexter Gordon - The Other Side Of Round Midnight (1986) {Blue Note ‎CDP 7 46397 2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 271 Mb | MP3 @320 -> 123 Mb
Full Artwork @ 300 dpi (png) -> 22 Mb | 5% repair rar
© 1986 Blue Note ‎| CDP 7 46397 2
Jazz / Bop / Hard Bop / Stage & Screen / Saxophone

Long before it became de rigeur to release multiple soundtracks for a single film, Columbia allowed Blue Note to release The Other Side of Round Midnight under Gordon's name. The additional album offers more music from the film, including Gordon's sole performance on soprano sax, "Tivoli" - incidentally the only track in the score not played by the same musicians seen in the film - and further outtakes that breathe the same heady atmosphere.

Jackie McLean - Tippin' The Scales (1962) {Blue Note CDP 7 84427 2, Ron McMaster rel 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 358 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1962, 1989 Blue Note / Capitol | CDP 7 84427 2
Jazz / Hard Bop / Saxophone

Recorded in between his modernist masterpieces Let Freedom Ring and One Step Beyond, Tippin' the Scales finds Jackie McLean returning to a safer, more straightforward hard bop scenario for a short spell. Since the album wasn't really in keeping with the direction McLean was heading (and since that direction proved to be successful), it stayed in the vaults for 22 years before finally seeing the light of day in 1984. As one might expect, given the nearly universal quality of McLean's Blue Note output, Tippin' the Scales is solid from top to bottom, even if it's not nearly as forward-looking as its predecessor.

Booker Little - Booker Little 4 & Max Roach (1958) {Blue Note, CDP 7 84457 2 rel 1991, Ron McMaster}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 268 Mb | MP3 @320 -> 121 Mb
Full Artwork @ 300 dpi (png) -> 36 Mb | 5% repair rar
© 1958, 1991 Blue Note / Capital-EMI Music | CDP 7 84457 2
Jazz / Hard Bop / Trumpet / Drums

This CD reissue features trumpeter Booker Little at the beginning of his tragically brief career. The first six selections find the distinctive soloist playing with a quintet also including the young tenor George Coleman, pianist Tommy Flanagan, bassist Art Davis, and drummer Max Roach (who was his regular employer at the time). Little contributed three now-obscure originals and also plays two standards and an early version of Miles Davis' "Milestones." The remainder of the CD has lengthy versions of "Things Ain't What They Used to Be" and "Blue 'n Boogie" from a jam session that matched Little with fellow Memphis-based players including Coleman, altoist Frank Strozier, and the masterful pianist Phineas Newborn. Overall, this forward-looking hard bop set is easily recommended.

Joe Lovano - Landmarks (1991) {Blue Note CDP 7 96108 2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 358 Mb | MP3 @320 -> 129 Mb
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© 1991 Blue Note | CDP 7 96108 2
Jazz / Post Bop / Saxophone

Although the title of this CD makes it sound as if tenor-saxophonist Joe Lovano was performing veteran jazz classics on this date, all but one of the ten songs played by his quintet are actually Lovano originals. With strong assistance provided by guitarist John Abercrombie, pianist Ken Werner, bassist Marc Johnson and drummer Bill Stewart, Lovano often sounds like a mixture of Dewey Redman and early John Coltrane on his enjoyable set. His music has enough variety to hold one's interest, Abercrombie is in particularly strong form and Lovano is consistently creative during the modern mainstream music.

Gerry Mulligan - California Concerts, Volume 2 (1954) {Pacific Jazz–EMI CDP 7 46864 2 rel 1988}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 383 Mb | MP3 @320 -> 165 Mb
Full Artwork @ 600 dpi (jpg) -> 65 Mb | 5% repair rar
© 1954, 1988 Pacific Jazz / EMI-Capitol Records | CDP 7 46864 2
Jazz / Cool / West Coast Jazz / Baritone Saxophone

The second of two CDs in this series mostly consists of previously unissued material taken from a high school concert featuring the Gerry Mulligan Quartet (which at the time featured trumpeter Jon Eardley) plus two guests (valve trombonist Bob Brookmeyer and tenor-saxophonist Zoot Sims). This swinging and often-witty cool bop music is quite enjoyable and highly recommended.

Lightnin' Hopkins - The Complete Aladdin Recordings (1946-48) {2CD Capitol-EMI CDP-7-96843-2 rel 1991}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 588 Mb | MP3 @320 -> 270 Mb
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© 1946-48, 1991 Aladdin / Capitol-EMI | CDP-7-96843-2
Blues / Acoustic Texas Blues / Regional Blues / Country Blues

Hopkins' earliest recordings in a nice package, booklet with biography, discography, and many detailed informations - plus great sound quality. This is where it all began for the Houston troubadour: 43 solo sides, as evocative and stark as any he ever did, from 1946-1948. The first 13 sides find the guitarist in tandem with pianist Wilson "Thunder" Smith (who handles the vocals on a few tracks), but after that, old Lightnin' Hopkins went the solo route. "Katie May," "Short Haired Woman," "Abilene," "Shotgun" – all these and more rate with his seminal performances.