Chet Thompson Slamnation

One of the better-known sessions from Chet's time in Italy at the end of the 50s - a really beautiful album that has Chet working with a string orchestra in a set of lush arrangements that really bring a lot to his sound! The album really sounds great - not sleepy, but warm and beautiful, in a style that was perfect for Chet's fading romanticism. A few cuts have Chet taking a vocal chorus or two, but mostly, the focus is on trumpet solos.

Originally released on vinyl in 1979, Ballads For Two finds both musicians at the top of their game. Recorded on the 8th and 9th January 1979 in Stuttgart, Germany, this original vinyl release was not widely distributed. Now available for the first time on CD, the combination of Wolfgang's originals & well chosen covers is stunning. Baker's trumpet is emotive and telepathic with Wolfgang's vibes. Two bonus tracks are added from the original recording session. Chet plays a beautiful muted trumpet on the alternate take of Why Shouldn’t You Cry. Both musicians really stretch out on Double O, a Lackerschmid original. A Four Star review from Downbeat noted, "Ballads For Two arrives as an unexpected treat, defying Baker's detractors and placing him with success in unfamiliar surroundings." Highlights are Blue Bossa & Waltz For Susan.

Originally released on vinyl in 1979, Ballads For Two finds both musicians at the top of their game. Recorded on the 8th and 9th January 1979 in Stuttgart, Germany, this original vinyl release was not widely distributed. Now available for the first time on CD, the combination of Wolfgang's originals & well chosen covers is stunning. Baker's trumpet is emotive and telepathic with Wolfgang's vibes. Two bonus tracks are added from the original recording session. Chet plays a beautiful muted trumpet on the alternate take of Why Shouldn’t You Cry. Both musicians really stretch out on Double O, a Lackerschmid original. A Four Star review from Downbeat noted, "Ballads For Two arrives as an unexpected treat, defying Baker's detractors and placing him with success in unfamiliar surroundings." Highlights are Blue Bossa & Waltz For Susan.

The unforgettable Chet Baker Sings put Baker on the map not just as a brilliant trumpeter, but also as a talented vocalist. This album was a revelation at the time and won Baker new fame and a new audience, which was less familiar with jazz than with pop music. The reasons are quite clear: Chet’s voice is tender and beautiful, and at the same time his phrasing always swings and surprises.

The unforgettable Chet Baker Sings put Baker on the map not just as a brilliant trumpeter, but also as a talented vocalist. This album was a revelation at the time and won Baker new fame and a new audience, which was less familiar with jazz than with pop music. The reasons are quite clear: Chet’s voice is tender and beautiful, and at the same time his phrasing always swings and surprises.

This release presents the complete original LPs "Chet Baker & Strings", which marked the trumpeter’s first experience recording with a string orchestra, and "Chet Baker Ensemble". Both albums feature important jazz luminaries, such as Zoot Sims, Herb Geller, Jack Montrose, Bud Shank and Bob Gordon, plus the rhythm section of Russ Freeman, Joe Mondragon, and Shelly Manne. As a bonus, this edition contains the complete LP "Chet Baker Sextet", featuring Bob Brookmeyer and Bud Shank, as well as a 1956 Chet Baker big band date.

Originally released on vinyl in 1979, Ballads For Two finds both musicians at the top of their game. Recorded on the 8th and 9th January 1979 in Stuttgart, Germany, this original vinyl release was not widely distributed. Now available for the first time on CD, the combination of Wolfgang's originals & well chosen covers is stunning. Baker's trumpet is emotive and telepathic with Wolfgang's vibes. Two bonus tracks are added from the original recording session. Chet plays a beautiful muted trumpet on the alternate take of Why Shouldn’t You Cry. Both musicians really stretch out on Double O, a Lackerschmid original. A Four Star review from Downbeat noted, "Ballads For Two arrives as an unexpected treat, defying Baker's detractors and placing him with success in unfamiliar surroundings." Highlights are Blue Bossa & Waltz For Susan.

As seen on PBS. Chet Atkins - Certified Guitar Player is a concert-tribute to Chet Atkins, performed by Chet and many giants in the music business: Mark Knopfler, The Everly Brothers, Emmylou Harris, Michael McDonald, Waylon Jennings, and Willie Nelson, backed by Nashville's premier studio musicians. Great music, great fun, and a moving experience as a joyful document created about Chet Atkins' importance in the history of music, and to everyone on that stage. The CD: contains the entire soundtrack of the program above. It has all the music (17 songs), all the interplay between Chet and his fellow stars, and all the excitement felt by the audience that night.

For much of the last two decades of his life, Chet Baker seemed to go in the studios so often that one never knew what to expect. The results were a crapshoot, depending on whether or not Baker was suffering the effects of his drug addiction at the time. Fortunately, his friendship with Chicago-based pianist Bradley Young in the early 1980s gave the younger man an opportunity to sit in with the trumpeter. As a result, Young impulsively suggested a record date during a return engagement in 1986, which Baker accepted, though everything had to come together quickly within two days, including finding a studio and assembling a band. Oddly enough, everything works, from the fine rhythm section (bassist Larry Gray and drummer Rusty Jones) to the performance of the standards and jazz tunes that had long been a part of Baker's repertoire.

This release offers a unique glimpse of a young Chet Baker in a quintet setting, complemented by a nine-piece string section. Utilizing the uniquely modern arrangements of Johnny Mandel, Marty Paich, Jack Montrose, and Shorty Rogers, this interaction of "West Coast cool" with primordial elevator music escapes many - if not indeed all - of the potential sonic pitfalls such a marriage might suggest. In the truest sense of the word augmentation, the string arrangements provide the desired opulence sans the heavy-handed or syrupy residual effects. Perhaps most inspiring about this outing is the success with which Baker and crew are able to thrive in this environment, providing subtle insight into the quintet's ability to simultaneously adapt and explore…